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Myanmar National Television (MNTV) is a Burmese free-to-air television channel. [1] [2] [3] MNTV was founded by Shwe Thanlwin and operated by Dream Vision Co., Ltd. [note 1] [4] Launched on 1 October 2012, the channel was broadcast only on Skynet DTH. On 15 May 2014, it was broadcast as free-to-air channel.
Shwe Htoo, Khin Wint Wah, May Myint Mo, Henry, Min Thu, Nga Pyaw Gyaw: Drama: Ten Years Myanmar: Thaiddhi, Nay Wunn Ni, Myo Thar Khin, Aung Min: Wutt Yee Kyaw, Thar Ki, Min Htet Khant, Shwe Ye Oo, Kyaw Zeya: Anthology drama: Broken Dreams: Stories from the Myanmar Coup: The Ninefold Mosaic: Aung, Myat Noe Aye, Priscilla Bawcia, Nay Chi, Japan ...
The Myanmar Motion Picture Academy Awards for 2016 was held on 18 March 2017 at People's Square and Park, Yangon. This ceremony is distinct for the beautiful stage background with Shwedagon Pagoda. For the pre-celebration of 100-year Anniversary of Myanmar Motion Picture, decorated with 100 statutes of Academy awards.
The Only Mom is widely regarded as one of the scariest horror films in Myanmar, earning positive reviews for its strong performances, cinematography, sound design, and background music. The movie generated significant box office success, earning MMK 100 million within nine days of its release and becoming the highest-grossing Burmese film of ...
Cho Myain Thaw Let Sar Chay Chin (Burmese: ချိုမြိန်သောလက်စားချေခြင်း) is a 2017 Burmese drama film, directed by Mee Pwar starring Sai Sai Kham Leng, Shwe Hmone Yati and Khin Wint Wah. The film, produced by Shwe Si Taw Film Production premiered Myanmar on May 19, 2017.
Moe Hay Ko (Burmese: မိုးဟေကို; born Aye Aye Khine on 26 June 1985) is a Burmese actress, model, producer and businesswoman. [1] She is the Myanmar's third highest-paid actress [2] and considered one of the most commercially successful actresses in Burmese cinema.
Chue Lay (Burmese: ခြူးလေး; born San Thaw Tar; 5 October 1993), formerly known as Nay Inzara (နေအဥ္ဇရာ) is a Burmese television and film actress of ethnic Rakhine descent who gained popularity after starring in the several MRTV-4 series.
After World War II, Burmese cinema continued to address political themes.Many of the films produced in the early Cold War era had a strong propaganda element to them. The film Palè Myetyay (Tear of Pearl), produced in the wake of the Kuomintang invasion of Burma in the 1950s, highlighted the importance of the armed forces or Tatmadaw to the country.