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Although Thomas Hood (1799–1845) is usually regarded as a humorous poet, towards the end of his life, when he was on his sick bed, he wrote a number of poems commenting on contemporary poverty. These included "The Song of the Shirt", "The Bridge of Sighs" and "The Song of the Labourer". [1] "The Bridge of Sighs" is particularly well-known ...
The poem was recited in the film August 28: A Day in the Life of a People, which debuted at the opening of the Smithsonian's National Museum of African American History and Culture in 2016. [14] [15] [16] Eric Robert Taylor wrote a book about insurrections during the Atlantic slave trade and titled it If We Must Die after the poem. [17]
It is one of novelist David Mitchell's favorite pieces of writing. [10] The poem's final line has been hailed as one of the greatest lines in modern poetry. [2] [1] [3] [6] Although there were degrees of polarization about the line's abrasiveness, it has been credited as influential in the development of deep image and modernist poetry. [11]
Wikisource has original text related to this article: End Poem (full text) The end credits of the video game Minecraft include a written work by the Irish writer Julian Gough, conventionally called the End Poem, which is the only narrative text in the mostly unstructured sandbox game. Minecraft's creator Markus "Notch" Persson did not have an ending to the game up until a month before launch ...
Complete Poems, originally edited and published in 1979 by Nicholas Gerogiannis and revised by him in 1992, [1] is a compilation of all the poetry of Ernest Hemingway. Although Hemingway stopped publishing poetry as his fame grew, he continued to write it until his death in 1961.
you stand back, take stock and then plan the next year of your life. The exercise of answering 10 simple questions helps you to clarify your thinking and make sure your next year is the best it can be. At the end of your personal workshop you’ll have a simple one-page plan to guide you through your next 12 months.
We Real Cool" is a poem written in 1959 by poet Gwendolyn Brooks and published in her 1960 book The Bean Eaters, her third collection of poetry. The poem has been featured on broadsides, re-printed in literature textbooks and is widely studied in literature classes. It is cited as "one of the most celebrated examples of jazz poetry". [1] [2] [3]
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