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Lyrical Ballads, with a Few Other Poems is a collection of poems by William Wordsworth and Samuel Taylor Coleridge, first published in 1798 and generally considered to have marked the beginning of the English Romantic movement in literature. [2]
Maria Wiik, Ballad (1898) A ballad is a form of verse, often a narrative set to music. Ballads were particularly characteristic of the popular poetry and song of Great Britain and Ireland from the Late Middle Ages until the 19th century. They were widely used across Europe, and later in Australia, North Africa, North America and South America.
"Song" is a ballad-style poem, which was first published in Tamerlane and Other Poems in 1827, the speaker tells of a former love he saw from afar on her wedding day. A blush on her cheek, despite all the happiness around her, displays a hidden shame for having lost the speaker's love.
The Romantic movement in English literature of the early 19th century has its roots in 18th-century poetry, the Gothic novel and the novel of sensibility. [6] [7] This includes the pre-Romantic graveyard poets from the 1740s, whose works are characterized by gloomy meditations on mortality, "skulls and coffins, epitaphs and worms". [8]
Poetic closure is the sense of conclusion given at the end of a poem. Barbara Herrnstein Smith's detailed study—Poetic Closure: A Study of How Poems End—explores various techniques for achieving closure. One of the most common techniques is setting up a regular pattern and then breaking it to mark the end of a poem.
These were often identified "A Barrack-Room Ballad", though not all the poems they were taken from would otherwise be collected or classed this way. This includes pieces such as the introductory poem to My Lord the Elephant (from Many Inventions, 1899), later collected in Songs from Books but not identified as a Ballad. It is not clear if these ...
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The strength of this ballad, its emotional force, lies in its unadorned narrative which progresses rapidly to a tragic end that has been foreshadowed almost from the beginning. It was first published in eleven stanzas in 1765 in Bishop Thomas Percy's Reliques of Ancient English Poetry, based on "two MS. copies transmitted from Scotland". [2]