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Film noir is not a clearly defined genre (see here for details on the characteristics). Therefore, the composition of this list may be controversial. To minimize dispute the films included here should preferably feature a footnote linking to a reliable, published source which states that the mentioned film is considered to be a film noir by an expert in this field, e.g.
Gangster film [59] You Only Live Once: Fritz Lang: Sylvia Sidney, Henry Fonda, Barton MacLane: United States: Crime drama [60] 1938: Algiers: John Cromwell: Charles Boyer, Hedy Lamarr, Sigrid Gurie: United States: Gangster film [61] The Amazing Dr. Clitterhouse: Anatole Litvak: Edward G. Robinson, Claire Trevor, Humphrey Bogart: United States ...
Let's Go Native: Leo McCarey: Jack Oakie, Jeanette MacDonald: Musical comedy: Paramount-Publix [171] Let's Go Places: Frank R. Strayer: Joseph Wagstaff, Lola Lane: Musical: Fox Film [172] The Life of the Party: Roy Del Ruth: Winnie Lightner, Jack Whiting: Musical comedy: Warner Bros. [173] Lightnin' Henry King: Will Rogers, Louise Dresser, Joel ...
Andrew Spicer, in his book European Film Noir, writes: "A riveting psychological study. With its sustained doom-laden atmosphere, Krampf’s expressive cinematography, its adroit mixture of location shooting and Gothic compositions and Richardson’s wonderful performance as a lower middle-class Everyman, On the Night of the Fire clearly shows ...
Many full-length films were produced in the 1930s. Sound films ("talkies") were a global phenomenon by the early 1930s. Advances in color film included Technicolor and Kodachrome. The year 1930 is the start of "the golden age of Hollywood", which through at least the 1940s. The studio system was at its height in
The following is an overview of 1930 in film, ... January 10 – Roy E. Disney, American film executive and Walt Disney's nephew (died 2009) [11] January 11
Film noir (/ n w ɑːr /; French: [film nwaʁ]) is a style of Hollywood crime dramas that emphasizes cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir. Film noir of this era is associated with a low-key, black-and-white visual style that has roots in German expressionist ...
F.I.S.T. (film) The Fantastic World of Juan Orol; Fascisti su Marte; Fatty Finn (film) The FBI Story; A Filipino in America; The Final Journey; Finding Rin Tin Tin; Fist & Faith; The Five Pennies; Flight North; Florbela; Follow Me, Boys! For a Few Bullets; For Love Alone; The Four Deuces; Frances (film) Freakshow (film) Frida (2002 film) Fried ...
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