Search results
Results from the WOW.Com Content Network
Chinese sorcery scares refer to a series of moral panics or mass hysteria events in Imperial China, occurring in 1768, 1810, 1876, and 1908. [1] These scares were characterized by widespread fears of sorcery practices, particularly "soul-stealing," a form of alleged magic believed to cause illness or death.
The fox of Japanese folklore is a powerful trickster in and of itself, imbued with powers of shape changing, possession, and illusion. These creatures can be either nefarious; disguising themselves as women in order to trap men, or they can be benign forces as in the story of "The Grateful Foxes". [16]
Accepting the tradition that Chinese shamans were women (i.e., wu 巫 "shamaness" as opposed to xi 覡 "shaman"), Kagan believes: One of the main themes in Chinese history is the unsuccessful attempt by the male Confucian orthodoxy to strip women of their public and sacred powers and to limit them to a role of service ... Confucianists ...
The following is a list of supernatural beings in Chinese folklore and fiction originating from traditional folk culture and contemporary literature.. The list includes creatures from ancient classics (such as the Discourses of the States, Classic of Mountains and Seas, and In Search of the Supernatural) literature from the Gods and Demons genre of fiction, (for example, the Journey to the ...
Yoshiko Kawashima (川島 芳子, Kawashima Yoshiko, 24 May 1907 – 25 March 1948), born Aisin Gioro Xianyu, was a Qing dynasty princess of the Aisin-Gioro clan. She was raised in Japan and served as a spy for the Japanese Kwantung Army and Manchukuo during the Second Sino-Japanese War.
Kodoku (蠱毒, 'curse poison'), also called kodō (蠱道, 'curse method'), kojutsu (蠱術, 'curse technique'), and fuko (巫蠱, 'sorcery curse') is a type of poisonous magic found in Japanese folklore. It is the Japanese derivative of the Chinese gu magic. It is said to have been widely used in ancient China.
Coblin (1986:107) puts forward a Sino-Tibetan root * mjaɣ "magician; sorcerer" for Chinese wu < mju < *mjag 巫 "magician; shaman" and Written Tibetan 'ba'-po "sorcerer" and 'ba'-mo "sorcereress" (of the Bön religion). Further connections are to the bu-mo priests of Zhuang Shigongism and the bi-mo priests of Bimoism, the Yi indigenous faith.
The film was shot at the Inba Marsh in Chiba Prefecture, Japan. Onibaba was inspired by the Shin Buddhist parable of yome-odoshi-no men (嫁おどしの面, bride-scaring mask) or niku-zuki-no-men (肉付きの面, mask with flesh attached), in which a mother, disgusted by her daughter's affair with a priest, used a mask to pose as a demon and frighten the girl into believing that she was cursed.