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A stress maximum syllable is a stressed syllable surrounded on both sides by weak syllables in the same syntactic phrase and in the same verse line. In order to be a permissible line of iambic pentameter, no stress maximum can fall on a syllable that is designated as a weak syllable in the standard, unvaried iambic pentameter pattern.
This poem comprises 2 stanzas, each with lines of 7, 8, 6, 8, 8, 5, and 9 syllables respectively. The indented lines rhyme. As in accentual-syllabic verse, there is some flexibility in how one counts syllables. For example, syllables with y- or w-glides may count as one or two syllables depending on the poet's preference.
The alliterative metre of the old Germanic poetry of languages such as Old Norse and Old English was radically different, but was still based on stress patterns. Some classical languages, in contrast, used a different scheme known as quantitative metre, where patterns were based on syllable weight rather than stress.
In English poetry, accent refers to the stressed syllable of a polysyllabic word, or a monosyllabic word that receives stress because it belongs to an "open class" of words (noun, verb, adjective, adverb) or because of "contrastive" or "rhetorical" stress. In basic analysis of a poem by scansion, accents can be represented by a short vertical ...
Accentual verse has been widespread in English poetry since its earliest recording, with Old English poetry written in a special form of accentual verse termed alliterative verse, of which Beowulf is a notable example. Anglo-Saxon poetry generally added two further basic elements to the basic four-beat accentual verse pattern: alliteration of ...
Poems often arrange their lines in patterns of masculine and feminine endings, for instance in "A Psalm of Life", cited above, every couplet consists of a feminine ending followed by a masculine one. This is the pattern followed by the hymns that are classified as "87.87" in standard nomenclature (for this system see Meter (hymn) ); an example ...
Trochaic tetrameter in Macbeth. In poetic metre, a trochee (/ ˈ t r oʊ k iː /) is a metrical foot consisting of a stressed syllable followed by an unstressed one, in qualitative meter, as found in English, and in modern linguistics; or in quantitative meter, as found in Latin and Ancient Greek, a heavy syllable followed by a light one (also described as a long syllable followed by a short ...
Common metre or common measure [1] —abbreviated as C. M. or CM—is a poetic metre consisting of four lines that alternate between iambic tetrameter (four metrical feet per line) and iambic trimeter (three metrical feet per line), with each foot consisting of an unstressed syllable followed by a stressed syllable.