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Advised by his ministers, Ravana sang hymns in praise of Shiva for a thousand years. Finally, Shiva not only forgave Ravana, but also granted him an invincible sword called the Chandrahasa. Since Ravana cried, he was given the name "Ravana" – one who cried. The verses that Ravana sang were collected and became known as the Shiva Tandava ...
Many stotra hymns praise aspects of the divine, such as Devi, Shiva, or Vishnu. Relating to word "stuti", coming from the same Sanskrit root *stu-("to praise"), and basically both mean "praise". Notable stotras are Shiva Tandava Stotram in praise of Shiva and Rama Raksha Stotra, a prayer for protection to Rama.
Shiva Tandava is described as a vigorous dance that is the source of the cycle of creation, preservation and dissolution. While the Rudra Tandava depicts his violent nature, first as the creator and later as the destroyer of the universe, even of death itself, the Ananda Tandava depicts him as joyful.
According to the Devi Mahatmya, in the legend called the Mahishasura Vadha, [8] furious about the asuras under Mahishasura expelling the devas and overrunning Svarga, the Trimurti (supreme trinity) of the deities Brahma, Vishnu, and Shiva combined their energies, which assumed the form of a goddess called Durga. Armed with the weapons and ...
The three foremost Nayanars with Manikkavacakar - collectively called the Nalvar: (from left) Sambandar, Appar, Sundarar, and Manikkavacakar. Tevaram literally means, "garland of divine songs" and refers to the collection of verses sung in praise of Shiva, the supreme god of the Shaivite sect of Hinduism, by three Tamil poets known as Shaiva Kuruvars - Sambandar, Appar, and Sundarar. [2]
The union of Purusha (Shiva) and Prikriti (Shiva's energy, Shakti) generates the universe, an idea also manifested in the union of the Linga of Shiva and Yoni of Devi creating the cosmos. [57] [58] [59] The Mahabharata lauds this form as the source of creation. [46] Ardhanarishvara also suggests the element of Kama or Lust, which leads to ...
The Śiva·sūtras, technically akṣara·samāmnāya, variously called māheśvarāṇi sūtrāṇi, pratyāhāra·sūtrāṇi, varṇa·samāmnāya, etc., refer to a set of fourteen aphorisms devised as an arrangement of the sounds of Sanskrit for the purposes of grammatical exposition as carried out by the grammarian Pāṇini in the Aṣṭādhyāyī.
As per the sage Bharata, Shiva is the originator of dance, and he allowed Nandi to witness his performance. Tandava, the dance form, is derived from Tanda, the other name of Nandi. Shiva Tandava is classified into seven types, namely, Kali Tandava, Sandhya Tandava, Tripura Tandava, Ananda Tandava, Uma Tandava, Samhara Tandava, and Urdhva ...