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Telugu Alankaram is a figure of speech which means ornaments or embellishments which are used to enhance the beauty of the poems. There are two types of Alankarams, 'Shabdalankaram' which primarily focuses on Sound and 'Arthalamkaram' which focuses on meaning. These two alankarams are further broken down in to different categories.
Telugu script (Telugu: తెలుగు లిపి, romanized: Telugu lipi), an abugida from the Brahmic family of scripts, is used to write the Telugu language, a Dravidian language spoken in the Indian states of Andhra Pradesh and Telangana as well as several other neighbouring states.
Telangana Telugu, (Telangana slang or Telangana yaasa) often referred to as Hyderabadi Telugu (Telugu: హైదరాబాదీ తెలుగు) is a dialect of the Telugu language. It has its own history, spoken mostly in the Indian state of Telangana . [ 2 ]
Telugu also predominates in the evolution of Carnatic music, one of two main subgenres of Indian classical music and is widely taught in music colleges focusing on Carnatic tradition. [46] Over the centuries, many non-Telugu speakers have praised the natural musicality of Telugu speech, referring to it as a mellifluous and euphonious language ...
The Telugu–Kannada script (or Kannada–Telugu script) was a writing system used in Southern India. Despite some significant differences, the scripts used for the Telugu and Kannada languages remain quite similar and highly mutually intelligible. Satavahanas and Chalukyas influenced the similarities between Telugu and Kannada scripts. [3]
In his dream, on being asked why Telugu was chosen, Vishnu is said to have replied: Teluga dēla yenna dēśambu delugēnu telugu vallabhuṇḍa telugokaṇḍa yella nr̥pulu goluva nerugavē bāsāḍi dēśabhāṣalandu telugu les'sa If you ask, 'Why Telugu?' It is because this is Telugu country and I am a Telugu king. Telugu is sweet.
This Kalinga Brahmi is prevalent in the Kalinga region, whose language and writing style is different from that of other Brahmi. The Odia and Telugu scripts created from Kalinga Brahmi, which are slightly different from the Maurya Brahmi script, were almost identical to those of Kalinga ruler Kharvel, Satrubhanja to Mathara. Later, autonomy ...
His writing style was mostly Telugu, unlike Nannayya whose work was mostly sanskritized. Tikkana used Telugu words even to express very difficult ideas. He used Telugu words and parables extensively. [citation needed] In the colophons of his work, Tikkana calls himself "a friend to both [kinds of] poets" (Ubhaya-kavi-mitra).