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The Blue Marble taken with a 70-millimeter Hasselblad camera using an 80-millimeter Zeiss lens [18] [19] Hasselblad 500 EL/M "20 years in space" anniversary edition with 70 mm back, similar to the ones used in the Apollo Program. Several different models of Hasselblad cameras were taken into space, all specially modified for the task. [20]
The traditional Hasselblad medium format film cameras capture images on 120 film in the 6×6 cm (nominal) frame size; the actual frame size measures 56.5×56.5 mm (2.22×2.22 in), which is larger than small format 135 film, with a frame size of 36×24 mm (1.42×0.94 in). This means the crop factor for most film-based Hasselblad cameras (based ...
Diagram illustrating the flange focal length of an SLR–type and a mirrorless–type camera. For an interchangeable lens camera, the flange focal distance (FFD) (also known as the flange-to-film distance, flange focal depth, flange back distance (FBD), flange focal length (FFL), back focus [1] or register, depending on the usage and source) of a lens mount system is the distance from the ...
In 1998 Phase One launched the Lightphase. which was the first one-shot back that could compete with film in terms of quality. Resolution was 6 MP and the physical size of the CCD was full-frame 35 mm, however the back was designed to be used on Hasselblad 500-series cameras.
Hasselblad of Sweden has one of the best-known camera systems utilizing 120 and 220 film to produce 6 cm × 6 cm (2 1 ⁄ 4" × 2 1 ⁄ 4") negatives. They also produce other film backs which produce a 6 cm × 4.5 cm image; a back which uses 70mm roll film, a Polaroid Back for instant 'proofs' and even a 35mm film back.
The Hasselblad lunar surface data camera used on the Apollo Moon missions was fitted with a Réseau plate made of glass and fitted to the back of the camera body, extremely close to the film plane. The plate was 5.4 × 5.4 cm in the film plane, which was the useful exposure area on the 70 mm film.
Interest in theatrical 3D movies dwindled during the following decades, but they started to get exploited as (part of) special attractions, such as 4D simulator rides and Imax theatres. In the early 2000s, digital cinema began to takeover and polarized 3D movies became popular. Movies were no longer created on film.
Space (1965) is an underground film directed by Andy Warhol, written by Ronald Tavel, and starring Edie Sedgwick, Gino Piserchio, Dorothy Dean, Ed Hennessey, singer-songwriter Eric Andersen, and Norman Levine. Unlike many of Warhol's other films made at The Factory, this film involved a moving camera, moving around the actors as they stood still.