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This command module camera, carried on Apollo 11, was a simplified version of the commercial Hasselblad 500 EL motorized film advance camera. Used for color still photography, it could operate in the command module or in the vacuum of space. [22] All subsequent NASA missions also had Hasselblad cameras on board.
The traditional Hasselblad medium format film cameras capture images on 120 film in the 6×6 cm (nominal) frame size; the actual frame size measures 56.5×56.5 mm (2.22×2.22 in), which is larger than small format 135 film, with a frame size of 36×24 mm (1.42×0.94 in). This means the crop factor for most film-based Hasselblad cameras (based ...
Hasselblad of Sweden has one of the best-known camera systems utilizing 120 and 220 film to produce 6 cm × 6 cm (2 1 ⁄ 4" × 2 1 ⁄ 4") negatives. They also produce other film backs which produce a 6 cm × 4.5 cm image; a back which uses 70mm roll film, a Polaroid Back for instant 'proofs' and even a 35mm film back.
In 1998 Phase One launched the Lightphase. which was the first one-shot back that could compete with film in terms of quality. Resolution was 6 MP and the physical size of the CCD was full-frame 35 mm, however the back was designed to be used on Hasselblad 500-series cameras.
Diagram illustrating the flange focal length of an SLR–type and a mirrorless–type camera. For an interchangeable lens camera, the flange focal distance (FFD) (also known as the flange-to-film distance, flange focal depth, flange back distance (FBD), flange focal length (FFL), back focus [1] or register, depending on the usage and source) of a lens mount system is the distance from the ...
The Hasselblad lunar surface data camera used on the Apollo Moon missions was fitted with a Réseau plate made of glass and fitted to the back of the camera body, extremely close to the film plane. The plate was 5.4 × 5.4 cm in the film plane, which was the useful exposure area on the 70 mm film.
Crack in the World is a 1965 American science-fiction doomsday disaster movie filmed in Spain. It is about scientists who launch a nuclear missile into the Earth's crust, to release the geothermal energy of the magma below; but accidentally unleash a cataclysmic destruction that threatens to sever the earth in two.
The two-part movie version (produced by Toei) is very different, as Prince of Space wears a more streamlined costume, cape, and helmet with goggles. In the edited US version, he has no superpowers other than the invulnerability of his costume and - in a subplot unique to the Japanese version - the ability to revert a man who was brainwashed by ...