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US Naturalization index record of SZ Sakall. Gerő Jenő (later transcribed in English as Jacob Gero) [2] was born in Budapest to a Jewish family. [3] A sculptor's son, he was invalided out of the Hungarian army in World War I after a Russian bayonet wounded him in the chest. [4]
S.Z. Sakall; Usage on www.wikidata.org Q955183; Metadata. This file contains additional information, probably added from the digital camera or scanner used to create ...
In the Good Old Summertime is a 1949 American Technicolor musical romantic comedy film directed by Robert Z. Leonard.It stars Judy Garland, Van Johnson, S. Z. Sakall, Spring Byington, Clinton Sundberg, and Buster Keaton in his first featured film role at MGM since 1933.
The supporting cast includes Oscar Homolka, S. Z. Sakall, Henry Travers, Richard Haydn, Dana Andrews, and Dan Duryea. In 2016, the film was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress, and selected for preservation in its National Film Registry.
April Showers is a 1948 American musical film directed by James V. Kern and written by Peter Milne.The film stars Jack Carson, Ann Sothern, Robert Alda, S. Z. Sakall, Robert Ellis and Richard Rober.
Tin Pan Alley promoter (Mark Stevens) turns serious composer Fred Breitenbach (S.Z. Sakall) into songwriter Fred Fisher. Fred Fisher is his assumed name in real life and Breitenbach is his birth surname. In the film, many Fisher songs were given a symphonic arrangement that was performed at Aeolian Hall. Among the Fisher songs heard were: Chicago
Mr. Flynn's unaccustomed performance is not likely to win him a palm as Hollywood's most accomplished farceur, but it does have amusing points—especially when he endeavors to pose as a tough guy with Humphrey Bogart's voice, and Eleanor Parker is remarkably attractive and encouraging as his obviously reluctant ex-wife. S. Z. Sakall, too, is ...
A Woman Like You (German: Eine Frau wie Du) is a 1933 German comedy film directed by Carl Boese and starring Liane Haid, Georg Alexander, and S. Z. Sakall. [1] It was shot at the Bavaria Studios in Munich and on location in Garmisch-Partenkirchen. The film's sets were designed by the art director Ludwig Reiber.