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Papuan tumbu tanah dance. Prior to their contact with the outer world the people of the Indonesian archipelago had already developed their own styles of dancing, still somewhat preserved by those who resist outside influences and choose tribal life in the interior of Sumatra (example: Batak, Nias, Mentawai), of Kalimantan/Borneo (example: Dayak, Punan, Iban), of Java (example: Baduy), of ...
Indonesian male presidents always wear a peci as part of their official presidential attire. Since then, the black velvet peci is approved to be the national head-dress for Indonesian men. It is worn all over Indonesia, especially by government officials and men (usually Muslim men) throughout the country.
Kabasaran is a traditional Minahasan martial art and war dance from North Sulawesi in Indonesia. It is performed by several men clad in red costumes, wielding a sword with a shield or a spear. The dancers are called kawasalan, which implies imitating like a pair of fighter cocks. [1]
Barongsai dance (nationwide), a Chinese folk dance with costume has lion-like shape, often performed by Chinese Indonesian during Chinese New Year. Bedhaya dance ( Central Java and Yogyakarta ), a Javanese sacred ritualized dance associated with the royal palaces of Yogyakarta and Surakarta , along with Srimpi .
The dance itself is a demonstration of physical strength. Reog Ponorogo usually consists of three sets of dances; each dance is performed by several dancers: The first dance is the opening dance, performed by Bujang Ganong, male dancers who wear black costumes. The costume describes rough men with intimidating moustaches and other masculine ...
Balinese dancers express the stories of dance-drama through bodily gestures including gestures of fingers, hands, head, and eyes. There is a great richness of dance forms and styles in Bali; and particularly notable are those ritualistic dance dramas which involve Rangda, the witch, and the great beast Barong. Most of the dances in Bali are ...
Kecak Dance at the Pura Dalem Temple in Ubud, Bali. The kecak dance [7] is typically performed by about fifty to one hundred men wearing only loincloths; their upper bodies are left bare. They form concentric circles, in the middle of which is a traditional Balinese coconut oil lamp.
The music the men dance to varies from traditional gong degung ensembles to the contemporary pop known as dangdut, but they consistently dance with great enthusiasm. Henry Spiller in "Erotic Triangles" draws on decades of ethnographic research to explore the reasons behind this phenomenon, arguing that Sundanese men use dance to explore and ...