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The designation "Armenian Carpet" in the English language has existed since the 1850s. [18] It appeared in Western scholarly works in the latter part of the 19th century as attested in the writings of the Austrian art historian Alois Riegl, who mentioned an Armenian carpet created in 1202.
Starting to develop in Armenia and Artsakh as a part of everyday life, carpet weaving was a must in every Armenian family, with the carpet making and rug making being almost women's occupation. [5] One of the most important conditions for the development of carpet and rug weaving was the availability of towns and cities, where the arts and ...
The location was at the time known as Little Armenia. [4] In the 1920s, about eight thousand Armenians lived in New York City and the center of their community was Lexington Avenue and 23rd Street. [5] With rising prosperity, the Armenian community gradually moved elsewhere, with Kalustyan's the most visible relic.
Armenian art is the unique form of art developed over the last five millennia in which the Armenian people lived on the Armenian Highland. Armenian architecture and miniature painting have dominated Armenian art and have shown consistent development over the centuries. [ 1 ]
From the middle of the 15th century onwards, a type of carpet was produced in Egypt which is characterized by a dominant central medallion, or three to five medallions in a row along the vertical axis. Numerous smaller ornaments are placed around the medallions, such as eight-pointed stars, or small ornaments composed of stylized floral elements.
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The Ghazir Rug is not just a carpet; it is a tangible connection to the first genocide of the Twentieth Century – a silent, beautiful rebuttal to those who deny the murder of 1.5 million men, woman and children in a campaign of mass murder, forced marches, rape and looting that befell the Armenian people from 1915-23.
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