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Kuchipudi (/ ˌ k uː tʃ ɪ ˈ p uː d i / KOO-chih-POO-dee) is one of the eight major Indian classical dances. [2] It originates from a village named Kuchipudi in the Indian state of Andhra Pradesh. [3] Kuchipudi is a dance-drama performance, with its roots in the ancient Hindu Sanskrit text of Natya Shastra.
Indian classical dance, or Shastriya Nritya, is an umbrella term for different regionally-specific Indian classical dance traditions, rooted in predominantly Hindu musical theatre performance, [1] [2] [3] the theory and practice of which can be traced to the Sanskrit text Natya Shastra.
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Swapnasundari is an Indian dancer, an exponent of Kuchipudi and Bharatanatyam, a choreographer and a vocalist. She is a recipient of the Padma Bhushan, given Government of India in 2003, [1] as well as the Sahitya Kala Parishad and Sangeet Natak Akademi Award. Her album Janmabhoomi Meri Pyaari was well received. [2]
Sarma received the Sangeet Natak Akademi Award in 1961, [16] making him the first Kuchipudi exponent to receive the honor. [7] Six years later, the Akademi honored him again, with Sangeet Natak Akademi Ratna in 1967. [17] The Government of India included him in the Republic Day honors list for the civilian honor of the Padma Shri in 1970. [4]
Raja (born 6 October 1943) and Radha Reddy (born 15 February 1955) are an Indian Kuchipudi dancing couple, gurus and choreographers. They are renowned as exponents of the South Indian dance form of Kuchipudi. They founded and run the Natya Tarangini Institute of Kuchipudi Dance in New Delhi.
Maddali Usha Gayatri (née Mallavarapu, born 26 April 1955) is an Indian Kuchipudi exponent, danseuse, [1] guru [2] and choreographer from the state of Andhra Pradesh. A recipient of Hamsa Award (now called Kala Ratna) and Sangeet Natak Akademi Award, she received critical acclaim for her choreography and performances. She performs ballets in ...
Chinna Satyam sublimated and systematised Indian Kuchipudi dance, giving it a more classical basis. He refined the art form, bringing it closer to the standards of Natya Shastra and introduced new elements, e.g. chari (leg movements) of Natya Shastra that are significantly different from the interpretations of other dance authorities, such as Padma Subrahmanyam.