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The painting shows a tired, faceless Black woman sitting on the edge of her bed about start her workday. The artist first conceived of the painting while getting ready to catch a bus to work on a cold winter morning. [9] As of 2011, Blue Monday was the most mass-produced and popular painting of the artist. [10]
The emails eventually reveal that she is under the control of William Afton, and that Ness is Vanny from Five Nights at Freddy's: Help Wanted ("Ness" being short for Vanny's real name "Vanessa"), who was possessed by Afton after encountering a digital form of him while play-testing one of Fazbear's products. Another series of emails tells the ...
Afton Cooper, fictional character from the television series Dallas William Afton , fictional character and main antagonist of the Five Nights at Freddy's game series Businesses
The dimensions of both paintings are 60.3 cm (23.7 in) × 75.2 cm (29.6 in). Black Woman with Peonies by Frédéric Bazille (1870) located at the Musée Fabre, Montpellier. The Washington painting depicts a Black woman with a bundle of peonies in her hand, staring directly at the viewer with a basket of flowers in her other arm.
Angelfood McSpade is a satirical portrayal of a stereotypical black woman. [2] [3] She is depicted as a large, bare-breasted tribeswoman, dressed in nothing but a skirt made out of palm tree leaves. [4] She is drawn with big lips, golden rings around her neck and in her ears, huge breasts, large round buttocks and speaks jive.
Flaming June is a painting by Sir Frederic Leighton, produced in 1895. Painted with oil paints on a 47-by-47-inch (1,200 mm × 1,200 mm) square canvas, it depicts a sleeping woman in a sensuous version of his classicist Academic style. It is Leighton's most recognisable work, and is much reproduced in posters and other media.
Study for Portrait II, 1955.Tate Britain, London. Study for Portrait II (subtitled after the Life Mask of William Blake) is a small 1955 oil-on-canvas painting by the Irish-born British figurative artist Francis Bacon, one of a series of six portraits completed after viewing that year the English poet, painter and printmaker William Blake's (b. 1757) life mask at the National Portrait Gallery ...
While Blacklock was at Edinburgh School of Art, in 1905, he was commissioned to undertake two paintings to be hung in the chancel of St Andrew's Episcopal Church, Innerleithen; these were to commemorate Reverend J. G. Ferguson. [6] During 1907, Blacklock painted the oil on canvas Going to Church; it measures 54 × 41.6 cm (21.3 × 16.4 in). [7]