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"Maximum stack height": three boxes stacked vertically; the bottom one is filled in, the middle one is an outline with a number inside (the number of boxes to safely stack on top of this one), and the top one is an outline and crossed out
The second is a link to the article that details that symbol, using its Unicode standard name or common alias. (Holding the mouse pointer on the hyperlink will pop up a summary of the symbol's function.); The third gives symbols listed elsewhere in the table that are similar to it in meaning or appearance, or that may be confused with it;
A dinkus can also be used in any context as a simple means of abbreviation of any text. [9] The dinkus is also used specifically in this capacity within the sphere of lawmaking, particularly for city ordinances. When used in legal text, the dinkus indicates an abbreviation within amendments to code while not implying the repeal of the omitted ...
A relationship breakup, breakup, [1] or break-up [2] is the ending of a relationship. The act is commonly termed "dumping [someone]" in slang when it is initiated by one partner. The act is commonly termed "dumping [someone]" in slang when it is initiated by one partner.
This is a list of emoticons or textual portrayals of a writer's moods or facial expressions in the form of icons. Originally, these icons consisted of ASCII art, and later, Shift JIS art and Unicode art. In recent times, graphical icons, both static and animated, have joined the traditional text-based emoticons; these are commonly known as ...
A FBI document obtained by Wikileaks details the symbols and logos used by pedophiles to identify sexual preferences. According to the document members of pedophilic organizations use of ...
Symbols are complex, and their meanings can evolve as the individual or culture evolves. When a symbol loses its meaning and power for an individual or culture, it becomes a dead symbol. When a symbol becomes identified with the deeper reality to which it refers, it becomes idolatrous as the "symbol is taken for reality."
Marie Laurencin’s radical paintings imagined a gauzy, feminine world absent of men, but her intentions have largely been misinterpreted. The 1920s painter who hid sapphic symbols in her ...