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Wilhelm Richard Wagner (/ ˈ v ɑː ɡ n ər / VAHG-nər; [1] [2] German: [ˈʁɪçaʁt ˈvaːɡnɐ] ⓘ; 22 May 1813 – 13 February 1883) was a German composer, theatre director, essayist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas").
Wagner Werk-Verzeichnis (WWV): Verzeichnis der musikalischen Werke Richard Wagners und ihrer Quellen ("Catalogue of Wagner's Works: Catalogue of Musical Compositions by Richard Wagner and Their Sources"). Mainz, London, & New York: Schott Musik International. Kirby, F. E. (1997). Music for Piano: A Short History. Amadeus Press.
"Richard Wagner" (1996) in Harvard Biographical Dictionary of Music. Harvard University Press, Cambridge, Massachusetts Retrieved on 24 March 2009; Saffle, Michael (2002): Richard Wagner: A Guide to Research, Taylor & Francis, London. ISBN 0-8240-5695-7 Retrieved on 25 March 2009 "Wagner Rarities" (2007), MusicalCriticism.com. Retrieved 25 ...
Der Ring des Nibelungen (The Ring of the Nibelung), WWV 86, is a cycle of four German-language epic music dramas composed by Richard Wagner.The works are based loosely on characters from Germanic heroic legend, namely Norse legendary sagas and the Nibelungenlied.
The Wagner-Werk-Verzeichnis (Catalogue of Wagner's Works), abbreviated WWV, is an index and musicological guide to the 113 musical compositions and works for the stage by Richard Wagner. It includes guidance on editions of the published works and explanations of historical performance practices.
Das Rheingold (pronunciation ⓘ; The Rhinegold), WWV 86A, is the first of the four epic music dramas that constitute Richard Wagner's cycle Der Ring des Nibelungen (English: The Ring of the Nibelung).
Wagnerism: Art and Politics in the Shadow of Music. New York: Farrar, Straus and Giroux. ISBN 9780374285937; Sangild, Torben (2015). "Buñuel's Liebestod – Wagner's Tristan in Luis Buñuel's early films: Un Chien Andalou and L'Âge d'Or", in JMM: The Journal of Music and Meaning, vol. 13, 2014/2015, pp. 20–59. Retrieved 16 August 2017.
Richard Wagner. Like his libretti, Wagner's operatic scores generally passed through a series of distinct stages from sketch to fair copy; but because the composer altered his method of musical composition several times during the writing of the Ring, there is not the same uniformity in the evolution of the music that we find in the texts.
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