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The divine monogram, conjectured to be the source of "Jesus H. Christ" Using the name of Jesus Christ as an oath has been common for many centuries, but the precise origins of the letter H in the expression are obscure. While many explanations have been proposed, the most widely accepted derivation is from the divine monogram of Christian ...
Most images of Jesus have in common a number of traits which are now almost universally associated with Jesus, although variants are seen. The conventional image of a fully bearded Jesus with long hair emerged around AD 300, but did not become established until the 6th century in Eastern Christianity , and much later in the West.
The brilliant white of Christ's robes, the golden-yellow of his halo, and the bright blue of the sky behind him all serve to emphasize the ethereal nature of the event. Similarly, Byzantine art favored a flattened, hieratic style of perspective that emphasized the spiritual significance of the figures depicted.
This category is for specific works that include depictions of Jesus in the visual arts. For articles covering ways of depicting scenes or types of depictions of Jesus in general, see the sub-category Category:Iconography of Jesus. For images of Jesus as an infant with his mother, see Category:Madonna and Child in art.
The iconography of Jesus covers subjects in art that include Jesus and episodes from his life. For specific works, see the parent category Category:Jesus in art and its other sub-categories. Subcategories
Chrismon Chi-Rho symbol with Alpha and Omega on a 4th-century sarcophagus (Vatican Museums) A Christogram (Latin: Monogramma Christi) [a] is a monogram or combination of letters that forms an abbreviation for the name of Jesus Christ, traditionally used as a religious symbol within the Christian Church. One of the oldest Christograms is the Chi ...
Cardinal Albert of Brandenburg before Christ on the Cross; Christ Among the Doctors (Dürer) Christ Among the Doctors (Luini) Christ Among the Doctors (Veronese) Christ and Sinner; Christ and the Canaanite Woman (Carracci) Christ and the Canaanite Woman (Preti) Christ and the Penitent Sinners; Christ and the Samaritan Woman (de Troy)
The banner on the Triumphal cross is usually white and has a red cross, symbolizing the victory of the resurrected Christ over death. The symbol derived from the 4th century vision of the Roman Emperor Constantine the Great and his use of a cross on the Roman Standard. [23] Resurrection (Annibale Carracci), 1593, Louvre
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