Search results
Results from the WOW.Com Content Network
The Korg DW-8000 is an analog synthesizer released in 1985. It blends FM waveforms with an analog filter and amplifier, followed by a digital delay for adding echo effects. It boasts eight-note polyphony and its keyboard is equipped with velocity sensitivity and aftertouc
Korg DW-8000: Eight-voice polyphonic, user selected two digital waveforms out of 16 total. Used an analog filter. Was also released in a rack-mount version, the EX-8000. Korg DDM-110 SuperDrums and Korg DDM-220 SuperPercussion: Low-cost digital drum machines [17]
The DSS-1 features a five-octave keyboard, a 3.5-inch disk drive, and a performance joystick on the left side. The top panel includes sliders for Master volume and tuning, data entry sliders A and B with step buttons, an LCD screen, a keypad, cursor buttons, and various operational buttons.
The DW-6000 is a six-voice hybrid digital-analog synthesizer with a five-octave keyboard, memory for 64 presets, a joystick and MIDI implementation. The front panel has two buttons for program and parameter selection, numeric keys for choosing program and parameter numbers, and a data slider with +/— buttons for more precise parameter editing, echoing the design used on the Korg Poly-61 ...
Similar to the digital delay found in the Korg DW-8000 and Poly-800 MkII, the DS-8 includes this feature and allows multiple options such as long delay, short delay, doubling, flanger, chorus, and manual, accessed by the front panel. [2] The long delay ranges from 105-729ms and the short delay ranges from 20-88ms.
Korg DW-8000 - used for solo sounds for songs such as Take the Time and Pull Me Under; Korg DSS-1 – used for samples; Roland D-50 – used mainly for string and bell sounds; Roland D-70; A grand piano was likely used on the album, replaced with JD-800 piano live. Music in Progress Tour. Roland JD-800 on the bottom tier of the Apex two tier stand
The two primary synthesis concepts designed into the Wavestation were Wave Sequencing and vector synthesis, the latter Korg dubbed "Advanced Vector Synthesis".Although the Korg Wavestation was the first keyboard that used Wave Sequencing, its roots can be traced back to the preceding variations of wavetable-lookup synthesis, including the multiple-wavetable synthesizers [6] realized as PPG ...
The Poly-61 was replaced in 1985 by the DW-8000 which still used a partially analog architecture. It was not until the revolutionary Korg M1 six years later, that Korg returned to the top of the class with the first sample-based digital workstation synth.