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Side view of an armadillo shoe, covered in iridescent paillettes made to look like scales, from the show's final outfit, "Neptune's Daughter". The armadillo shoe (alternately armadillo heel or armadillo boot) is a high fashion platform shoe created by British fashion designer Alexander McQueen for his final collection, Plato's Atlantis (Spring/Summer 2010).
An example of a 20-centimetre (8-inch) platform clear heel Platform sandals with wooden sole Platform boot, ankle length Lucite platform shoes. Platform shoes are shoes, boots, or sandals with a thick sole, usually in the range of 5–10 cm (2–4 in). Platform shoes may also be high heels, in which case the heel is raised significantly higher ...
High-heeled shoes, also known as high heels, are a type of shoe with an upward-angled sole. The heel in such shoes is raised above the ball of the foot. High heels cause the legs to appear longer, make the wearer appear taller, and accentuate the calf muscle .
The original motivation for wearing the high platform shoes was not fashion, but practicality: to keep feet and kimono from coming in contact with things on the ground, such as dirt, filth, water, or snow. The dai may vary in shape, from oval shapes to more rectangular, with the former being considered more feminine and the latter more ...
Light blue peeptoe wedge heels. Wedge boots, wedgies, or lifties are shoes and boots with a sole in the form of a wedge, such that one piece of material, normally rubber, serves as both the sole and the heel. This design dates back to ancient Greece. [1] Greek Actors used to wear these shoes to signify status.
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American hard rock/heavy metal band Extreme has released six studio albums, two EPs (only in Japan), two compilations, and eighteen singles.This list does not include material performed by members or former members of Extreme that was recorded with DramaGods, Tribe of Judah, Mourning Widows, or Satellite Party.
"Hi-Heel Sneakers" (often also spelled "High Heel Sneakers") is a blues song written and recorded by Tommy Tucker in 1963. Blues writer Mary Katherine Aldin describes it as an uptempo twelve-bar blues , with "a spare, lilting musical framework", and a strong vocal. [ 2 ]