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In New Zealand, "Sway" debuted at number 28 on the RIANZ Singles Chart, then climbed into the top 10 five weeks later, eventually peaking at number seven on 13 July 1997. The song spent a total of 17 weeks on the chart and left the top 50 on 14 September 1997. [7] "Sway" was certified gold in New Zealand with 5,000 copies sold. [8]
Runga's song "Sway", along with a duet with Dan Wilson of Semisonic called "Good Morning Baby", were used in the films American Pie, and Cruel Intentions. Six singles were released from the album, while "Sway" was released in New Zealand, Australia, the United Kingdom, and Germany. Runga has recorded two songs called "Drive".
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Methods that establish the key for a particular piece can be complicated to explain and vary over music history. [citation needed] However, the chords most often used in a piece in a particular key are those that contain the notes in the corresponding scale, and conventional progressions of these chords, particularly cadences, orient the listener around the tonic.
A typical sequence of a jazz or rock song in the key of C major might indicate a chord progression such as C – Am – Dm – G 7. This chord progression instructs the performer to play, in sequence, a C major triad, an A minor chord, a D minor chord, and a G dominant seventh chord.
By thinking of this blues progression in Roman numerals, a backup band or rhythm section could be instructed by a bandleader to play the chord progression in any key. For example, if the bandleader asked the band to play this chord progression in the key of B ♭ major, the chords would be B ♭-B ♭-B ♭-B ♭, E ♭-E ♭-B ♭-B ♭, F-E ...
Secondary chords are a type of altered or borrowed chord, chords that are not part of the music piece's key. They are the most common sort of altered chord in tonal music. [2] Secondary chords are referred to by the function they have and the key or chord in which they function. Conventionally, they are written with the notation "function/key ...
The use of Roman numerals enables the rhythm section performers to play the song in any key requested by the bandleader or lead singer. The accompaniment performers translate the Roman numerals to the specific chords that would be used in a given key. In the key of E major, the diatonic chords are: E maj7 becomes I maj7 (also I ∆7, or simply I)