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The ego is the coherent organizational of mental processes, often to which consciousness is attached, but it can also exist in the preconscious by censoring content in the unconscious. The ego is also capable of exerting resistance on mental material, and therefore, it is also capable of being unconscious in the dynamic sense. [9]
"On the occurrence of an aesthetic appreciation, the will thereby vanishes entirely from consciousness." [8] Genuine art cannot be created by anyone who merely follows standard artistic rules. A genius is required, that is, a person who creates original art without concern for rules.
Proto-Cubism (also referred to as Protocubism, Early Cubism, and Pre-Cubism or Précubisme) is an intermediary transition phase in the history of art chronologically extending from 1906 to 1910. Evidence suggests that the production of proto-Cubist paintings resulted from a wide-ranging series of experiments, circumstances, influences and ...
This emphasis on the fundamental status of a person's pre-cognitive, practical orientation in the world, sometimes called "know-how", would be adopted by both Sartre and Merleau-Ponty. [45] While for Husserl, in the epoché, being appeared only as a correlate of consciousness, for Heidegger the pre-conscious grasp of being is the starting point.
For him, the split of things into subject/object, as is found in the Western tradition and even in language, must be overcome, as is indicated by the root structure of Husserl and Brentano's concept of intentionality, i.e., that all consciousness is consciousness of something, that there is no consciousness, as such, cut off from an object (be ...
It consists of pre-existent forms, the archetypes, which can only become conscious secondarily and which give definite form to certain psychic contents. [ 8 ] Jung linked the collective unconscious to "what Freud called 'archaic remnants' – mental forms whose presence cannot be explained by anything in the individual's own life and which seem ...
Lewis-Williams first published some of the ideas that would form the basis for his argument in The Mind in the Cave in a 1988 academic paper co-written with Thomas Dowson entitled "The Signs of All Times: Entoptic Phenomena in Upper Palaeolithic Art" Fellow archaeologist Robert J. Wallis would later characterise this as "one of the most controversial papers" in rock art research.
The universal mind, or universal consciousness, is a metaphysical concept suggesting an underlying essence of all beings and becoming in the universe. It includes the being and becoming that occurred in the universe prior to the emergence of the concept of mind, a term that more appropriately refers to the organic, human aspect of universal consciousness.