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Majumdar was best known for his Animesh series of novels, the second of which (Kalbela) won the Sahitya Akademi Award in 1984. He was also known for creating the detective character Arjun , who is the central character of the 2013 film Arjun – Kalimpong E Sitaharan .
The Animesh quartet is a series of four novels by the Indian Bengali writer Samaresh Majumdar. [1] [2] [3] The principal character of the series is Animesh Mitra who, much like the author himself, grows up amid the tea estates of the Dooars in northern Bengal, but then moves to Kolkata in the 1960s in order to study at Scottish Church College.
Biography and cultural history 1979 Aranyer Adhikar: Mahashweta Devi: Novel 1980 Shambo: Samaresh Basu `Kalkut' Novel 1981 Kolikata Darpan, Pt. I Radharaman Mitra: Local history and culture 1982 Amritasya Putree: Kamal Das Novel 1983 Jete Pari Kintu Keno Jabo: Shakti Chattopadhyay: Poetry 1984 Kalbela: Samaresh Majumdar: Novel 1985 Sei Samay ...
Arjun is a young fictional detective character of Bengali literature. He lives at Jalpaiguri in West Bengal [1] The character was created by Samaresh Majumdar in 1983. [2] Arjun's mentor is retired official cop, Mr. Amal Shome. Although Arjun himself solves the cases but he works most of the time as an assistant of Shome. [3]
Samaresh Majumdar (1944–2023) Nirmalendu Goon (born 1945) Aveek Sarkar (born 1945) Prabir Ghosh (1945–2023) Haripada Datta (born 1947) Humayun Azad (1947–2004) Taradas Bandyopadhyay (1947–2010) Selina Hossain (born 1947) Tapan Bandyopadhyay (born 1947) Nabarun Bhattacharya (1948–2014) Humayun Ahmed (1948–2012) Abul Bashar (born 1949)
Samaresh Majumdar (b. 1944) Samir Roychoudhury (b. 1933) Sandipan Chattopadhyay (1933–2005) Sanjib Chattopadhyay (b. 1936) Satyajit Ray (1921–92) Shamik Ghosh (b. 1983) Shankha Ghosh (1932–2021) Shakti Chattopadhyay (1933–95) Shaktipada Rajguru (b. 1922) Sharadindu Bandyopadhyay (1899–1970) Shibram Chakraborty (1902–80) Shirshendu ...
In the early 1800s, under the regime of the East India Company, English education and Missionary activities were initially suspect. [5] While the East India Company supported Orientalist instruction in the vernacular languages like Persian, Arabic and Sanskrit, and helped to establish institutions like Calcutta Madrasah College, and Sanskrit College, in general, colonial administrative policy ...
Based on a 1980s novel by Samaresh Majumdar, the film sets itself up, quite self-consciously, within a certain tradition of films, namely radical political Bengali cinema of the 1970s and 1980s. It thus establishes an intertextuality and a certain connection with them.