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Goldwork is always surface embroidery and free embroidery; the vast majority is a form of laid work or couching; that is, the gold threads are held onto the surface of the fabric by a second thread, usually of fine silk. The ends of the thread, depending on type, are simply cut off, or are pulled through to the back of the embroidery and ...
Woven fabric with threads removed to make a grid (Reticella, Buratto) Machine made hexagonal net (Limerick, Needlerun net, Tambour) Knotted square net (either hand-made or machine-made) [1] Sol laces are embroidered in a circular pattern on radiating spokes of threads. These include Tenerife lace and Ñandutí lace. [2]
In 1476, the lace trade was seriously affected by a law which disallowed "silver and embroidery on any fabric and the Punto in Aria of linen threads made with a needle, or gold and silver threads." [10]: 10 In 1595, Morosina Morosini, another doge's wife, founded a lace workshop for 130 women.
Lace (AM 1962.185-2) Those creating tambour-worked pieces in Britain, both in past-time and in industry for market sale, worked using a circular embroidery frame, adapting techniques from practitioners in India where traditionally tambour-work was created using only the hands. [6]
Zardozi is a type of heavy and elaborate metal embroidery on a silk, satin, or velvet fabric base. [2] Zardozi embroidery uses a wide variety of gold and silver embellishments such as: flat metal wires, spangles, coiled wires, heavy wires, and twisted wires. [3] Designs are often created using gold and silver threads and can incorporate pearls ...
[3] [4] [5] Later producers of cloth of gold include the Byzantine Empire and Medieval Italian weavers, particularly in Genoa, Venice and Lucca. [6] Dating from the 1460s the Waterford cloth-of-gold vestments are made from Italian silk woven in Florence. The panels were embroidered in Bruges which was the centre of the medieval embroidery industry.
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