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The idea of structural art as a creative subdiscipline of structural engineering originates from the scholarship of Prof. David P. Billington of Princeton University. The term appears to have been coined in his 1983 book The Tower and the Bridge, and arose out of scholarly study of great works of structural design made by engineers starting in the late 18th century with the beginning of the ...
It is a form of sculpture created in nature, from nature, using materials found in nature like dirt, soil, rocks, logs, branches, leaves, and water, as well as man made materials like Chain-link fencing, barbed wire, rope, rubber, glass, concrete, metal, asphalt, and mineral pigments.
Environmental art is a range of artistic practices encompassing both historical approaches to nature in art and more recent ecological and politically motivated types of works. [ 1 ] [ 2 ] Environmental art has evolved away from formal concerns, for example monumental earthworks using earth as a sculptural material , towards a deeper ...
As a work of art, a social sculpture includes human activity that strives to structure and shape society or the environment. The central idea of a social sculptor is an artist who creates structures in society using language, thoughts, actions, and objects.
This is a list of sculptors – notable people known for three-dimensional artistic creations, which may include those who use sound and light. It is incomplete and you can help by expanding it. It is incomplete and you can help by expanding it.
Land art, variously known as Earth art, environmental art, and Earthworks, is an art movement that emerged in the 1960s and 1970s, [1] largely associated with Great Britain and the United States [2] [3] [4] but that also includes examples from many countries. As a trend, "land art" expanded boundaries of art by the materials used and the siting ...
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Georges Braque, 1908, Maisons et arbre (Houses at l'Estaque), oil on canvas, 40.5 x 32.5 cm, Lille Métropole Museum of Modern, Contemporary and Outsider Art Artists at the forefront of the Parisian art scene at the outset of the 20th century would not fail to notice the tendencies toward abstraction inherent in the work of Cézanne, and ventured still further. [6]