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A pencil extender (or pencil lengthener) is a small instrument (made out of metal or wood) allowing to extend small pencils, in order to facilitate their use. [1]
A pencil case can also contain a variety of other stationery such as sharpeners, pens, glue sticks, erasers, scissors, and rulers. Pencil cases can be made from a variety of materials such as wood or metal. Some pencil cases have a hard and rigid shell encasing the pens inside, while others use a softer material such as plastic, leather or cotton.
The most common pencil casing is thin wood, usually hexagonal in section, but sometimes cylindrical or triangular, permanently bonded to the core. Casings may be of other materials, such as plastic or paper. To use the pencil, the casing must be carved or peeled off to expose the working end of the core as a sharp point.
A wooden pencil extender. Other implements indirectly associated with writing include erasers for pen and pencil, pencil sharpeners, pencil extenders, inkwells, blotter paper, and rulers and related drawing instruments. Pounce pots were a precursor of blotting paper, being a dispenser for powdery material for drying the paper.
It is the compass in the most simple form. Both branches are crimped metal. One branch has a pencil sleeve while the other branch is crimped with a fine point protruding from the end. A wing nut on the hinge serves two purposes: first it tightens the pencil and secondly it locks in the desired distance when the wing nut is turned clockwise.
Early British Planchette, 1850s–60s. A planchette ( / p l ɑː n ˈ ʃ ɛ t / or / p l æ n ˈ ʃ ɛ t /), from the French for "little plank", is a small, usually heart-shaped flat piece of wood equipped with two wheeled casters and a pencil-holding aperture pointing downwards, used to facilitate automatic writing.
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Emil Milan ('ɛmil Mɪ'lɑːn; May 17, 1922 – April 5, 1985) was an American woodworker known for his carved bowls, birds, and other accessories and art in wood. Trained as a sculptor at the Art Students League of New York, he designed and made wooden ware in the New York City metropolitan area, and later in rural Pennsylvania where he lived alone and used his barn as a workshop.
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