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It is described as being a lacquer or brass box with a wide mouthpiece for blowing on, and a hole or pipe on the other end for directing the powder into the eyes of the person being captured. [1] One type of metsubushi powder was made up of ashes, ground-up pepper, mud, flour, and dirt. For severe damage, it could also include fine-ground glass.
Mitsugi Ohno (大野 貢, Ōno Mitsugi, June 28, 1926 – October 22, 1999) was a Japanese glassblower who worked at the University of Tokyo (1947–1960) and Kansas State University (1961–1996). He was known for blowing a glass Klein bottle and glass models of historic buildings and ships. He told people "Anything that can be made with glass ...
The height ranges from 30 cm to 1 m, and the diameter from 30 cm to 50 cm. The hole at the top has a diameter of circa 2 cm. Similar to a bell, the jar of a good suikinkutsu will ring when struck. A jar producing a good sound will create a good sounding suikinkutsu. Similarly, a cracked jar, like a cracked bell, will not produce a good sound.
Edo kiriko (ja:江戸切子) features transparent and colorless glass, while Satsuma kiriko is more delicate and features overlaid colored glass. According to a recent study, the new one is produced since the section of the colorless Satsuma kiriko is tidied up. [clarification needed] The main feature is the deep color of the overlaid colored ...
The person who first pours in the glasses of others should hold the bottle with both hands simultaneously. The person who receives the pouring must hold the cup firmly, and politely ask whether or not the person who just served would like to have the gesture returned. [34] When drinking with a group, wait until each glass is filled before drinking.
Artifacts from the Narabara sutra mound including a bronze sutra container of pagoda shape (height: 71.5 cm (28.1 in), diameter of body: 17.3 cm (6.8 in)), a bronze sutra container, five bronze mirrors, two hiōgi (檜扇) folding fans, two porcelain boxes, a bronze hairpin, small knives, five bronze bells, an iron bell, a temple gong, copper ...
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Toshichi Iwata (岩田 藤七, Iwata Tōshichi; 12 March 1893– 23 August 1980) was a Japanese glass artist considered to be the founding father of modern art glass making in Japan. Active from 1927 until his death, he created unique studio works as well as production pieces.
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