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The Tat people or Transcaucasian Persians (also: Tat, Parsi, Daghli, Lohijon) are an Iranian people presently living within Azerbaijan and Russia (mainly Southern Dagestan). The Tats are part of the indigenous peoples of Iranian origin in the Caucasus. [3] [4] [5]
According to the 1921 census, there were more than 100 thousand tats. In 1931, 60.5 thousand tats were marked, and in 1989 their number dropped to 10 thousand, in 1999 only 10.9 thousand people called themselves tatami. The Tats are one of the small peoples of Azerbaijan, who are most susceptible to assimilation processes.
Armeno-Tats (Armenian: հայ-թաթեր – hay-tater) are a distinct group of Christian Tat-speaking Armenians that historically populated eastern parts of the South Caucasus, in what constitutes the modern-day Republic of Azerbaijan. [1]
Tats_in_azerbaijan_1890.png (703 × 531 pixels, file size: 45 KB, MIME type: image/png) This is a file from the Wikimedia Commons . Information from its description page there is shown below.
The largest peoples speaking languages which belong to the Caucasian language families and who are currently resident in the Caucasus are the Georgians (3,200,000), the Chechens (2,000,000), the Avars (1,200,000), the Lezgins (about 1,000,000) and the Kabardians (600,000), while outside the Caucasus, the largest people of Caucasian origin, in ...
Lahıc (Azerbaijani: Lahıc, Tat: Löhij) is a village and municipality on the southern slopes of Greater Caucasus within the Ismailli Rayon of Azerbaijan.Population is approximately 860 people who speak the Tat language, [3] also known as Tati Persian, a Southwestern Iranian language spoken by the Tats of Azerbaijan and Russia.
In the comments section, many people were quick to point out that the bride's perspective on the couple's wedding budget foreshadows a tit-for-tat relationship when it comes to the two dealing ...
The Garachi (Azerbaijani: Qaraçı; Kurdish: Qereçî), also spelled Karachi or Karaci, are a group of the Dom people living in Azerbaijan and Turkey.Little research has been done on the Garachi, and most of what is known about them is based on the works of the 19th-century Russian scholars Kerope Patkanov and Jean-Marie Chopin.