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Suzanne M. Benson is a visual effects producer born in 1958. She studied visual effects at the University of Arizona. She is best known for her work in Creature, Aliens, Spy Hard and Street Fighter. In 1987, she became the first woman to win an Oscar for special effects work in recognition for her work on the 1986 film Aliens.
[Special Effects is] an example of writer/director Larry Cohen at his most conceptually audacious. His script for this film touches on Hollywood egotism, the cruelty of showbiz, snuff films, the corrupting allure that moviemaking holds for neophytes and even works in a few allusions to Hitchcock ...
Eiji Tsuburaya (1901–1970) was a Japanese special effects director and filmmaker who worked on roughly 250 films throughout his five-decade career. [1] Having pioneered and popularized the special effects sector of the Japanese film industry, he is popularly known as the "Father of Tokusatsu ".
March is Women’s History Month , which means it’s time to spice up our streaming queue with the best feminist movies. And thanks to streaming platforms like...
The 42nd Bi-Annual New Jersey Film Festival returns to Rutgers University and remotely on weekends from Jan. 26 to Feb. 18.
A special effect of a miniature person from the 1952 film The Seven Deadly Sins. Special effects (often abbreviated as F/X or simply FX) are illusions or visual tricks used in the theatre, film, television, video game, amusement park and simulator industries to simulate the fictional events in a story or virtual world.
This is a list of the winning and nominated programs of the Primetime Emmy Award for Outstanding Special Visual Effects for a series, miniseries, film, or special.Since the award ceremony of 1998, the category has been divided into Special Visual Effects for a Series and Special Visual Effects for a Miniseries, Movie, or Special.
The recommendations included collecting better data, improving recreational transit options, revamping itineraries to better reflect women's travel patterns and improving design and safety.