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Blade Runner is a 1982 science fiction film directed by Ridley Scott from a screenplay by Hampton Fancher and David Peoples. [7] [8] Starring Harrison Ford, Rutger Hauer, Sean Young, and Edward James Olmos, it is an adaptation of Philip K. Dick's 1968 novel Do Androids Dream of Electric Sheep?
A joint universe has not been publicly endorsed by Ridley Scott though he has indicated future Alien films will lean further towards the use of A.I. [225] [226] [227] In both Alien and Blade Runner films are also multiple references and hidden clues referencing each other. [228] [229]
Roy Batty (portrayed by Rutger Hauer) during the scene in the Final Cut of Blade Runner "Tears in rain" is a 42-word monologue, consisting of the last words of character Roy Batty (portrayed by Rutger Hauer) in the 1982 Ridley Scott film Blade Runner. Written by David Peoples and altered by Hauer, [1] [2] [3] the monologue is frequently quoted. [4]
Blade Runner 2049 is a 2017 American epic neo-noir science fiction film directed by Denis Villeneuve from a screenplay by Hampton Fancher and Michael Green, based on a story by Fancher. [ 10 ] [ 11 ] A sequel to Blade Runner (1982), the film stars Ryan Gosling and Harrison Ford , with Ana de Armas , Sylvia Hoeks , Robin Wright , Mackenzie Davis ...
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Alien: Yes No 1982 Blade Runner: Yes No 1985 Legend: Yes No 1987 Someone to Watch Over Me: Yes Executive 1989 Black Rain: Yes No 1991 Thelma & Louise: Yes Yes 1992 1492: Conquest of Paradise: Yes Yes 1996 White Squall: Yes Executive 1997 G.I. Jane: Yes Yes 2000 Gladiator: Yes No Also camera operator (uncredited) 2001 Hannibal: Yes Yes Black ...
2036: Nexus Dawn (known in Chinese and Taiwanese territories as 2036: Clone Era, 2036: Chain Dawn, or 2036: Copy of the Times; alternatively known as Blade Runner 2036) [1] is a 2017 American short film acting as a prequel to the feature film Blade Runner 2049.
Blade Runner: The Final Cut showing at Prince Charles Cinema in Leicester Square, London in 2015 Scott provides audio commentaries and interviews for all his films where possible. In the July 2006 issue of Total Film magazine, he stated: "After all the work we go through, to have it run in the cinema and then disappear forever is a great pity.