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The simplest cane, called vetro a fili [3] (glass with threads) is clear glass with one or more threads of colored (often white) glass running its length. It is commonly made by heating and shaping a chunk of clear, white, or colored glass on the end of a punty, and then gathering molten clear glass over the color by dipping the punty in a ...
The traditional design is used in cloisters, triforiums, and stained glass windows of famous buildings such as Notre-Dame, Salisbury Cathedral, and Regensburg Cathedral. [27] Stone cut-out hexafoils are displayed in a plate tracery style in the Salisbury Cathedral, creating a pattern along the triforium.
The millefiori technique involves the production of glass canes or rods, known as murrine, with multicolored patterns which are viewable only from the cut ends of the cane. [2] [9] A murrine rod is heated in a furnace and pulled until thin while still maintaining the cross section's design. It is then cut into beads or discs when cooled. [2] [9]
Stained Glass is played on a field of intersecting vertical, horizontal, and diagonal lines. At the intersections of some of these lines are small circles, either unshaded, grey shaded, or completely darkened. An unshaded circle denotes that there are more unshaded shapes touching that circle than shaded shapes.
Came glasswork includes assembling pieces of cut and possibly painted glass using came sections. The joints where the came meet are soldered to bind the sections. When all of the glass pieces have been put within came and a border put around the entire work, pieces are cemented and supported as needed. [1]
In architecture and other decorative arts, diaper is applied as a decorative treatment of a surface with a repeat pattern of squares , rectangles, or lozenges. Diaper was particularly used in medieval stained glass to increase the vividness of a coloured pane, for example the field in a shield of arms. [1]
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