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Judith beheading Holofernes has been depicted by a number of artists including Giorgione, Titian, Rembrandt, Peter Paul Rubens and Caravaggio. Caravaggio's Judith Beheading Holofernes is believed to be the main inspiration of Gentileschi's work, [12] and his influence shows in the naturalism and violence she brings to her canvas. [citation needed]
Artemisia Gentileschi, Judith Slaying Holofernes, c 1612, Museo e Real Bosco di Capodimonte, Naples, Italy. This history is relevant as Gentileschi's early life has come to inform the perspectives of many contemporary feminist art historians, including Mary Garrard, [6] and particularly in the case of Judith Slaying Holofernes.
Judith slaying Holofernes by Artemisia Gentileschi, 1614–18. The account of the beheading of Holofernes by Judith is given in the deuterocanonical Book of Judith, and is the subject of many paintings and sculptures from the Renaissance and Baroque periods.
Her first Judith Beheading Holofernes (1612–13), smaller in size, is displayed in the Museo di Capodimonte, Naples. In fact, she was fascinated with this subject and six variations of Judith Beheading Holofernes by Artemisia are known to exist. [26] Self-Portrait as a Lute Player, 1615–1617 Self portrait as Saint Catherine of Alexandria, 1619
Judith Slaying Holofernes by Adam Elsheimer, c.1601–1603 The Temptation of St. Francis by Simon Vouet, 1624. Much like her father, Gentileschi's style in the formative years of her career followed that of Caravaggio, mirroring his methods of dark shadows and overall execution. [3]
Judit con la cabeza de Holofernes; Judith: tragedia bíblica en tres actos y en verso; El poder de las mujeres; Jael y Sísara (Artemisia Gentileschi) Usage on et.wikiquote.org Veri; Usage on eu.wikipedia.org Judith eta Holofernes (Artemisia Gentileschi, Napoli) Usage on fa.wikipedia.org سر بریدن هولوفرنس توسط جودیت
In her 17th-century painting Judith Slaying Holofernes, Baroque artist Artemisia Gentileschi depicted a famous scene of biblical vengeance: Judith decapitating the Assyrian general, Holofernes ...
The subject is one that Gentileschi portrayed several times during her career. She depicts the moment Judith assassinated Holofernes in two versions of the same scene: Judith Slaying Holofernes and Judith Slaying Holofernes. This portrayal of the moments following the assassination is based on an earlier work by the artist's father: