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John Beasly Greene's photo of the Abu Simbel temples, 1854 Bandit's Roost (1914) by Jacob Riis. The term document applied to photography antedates the mode or genre itself. . Photographs meant to accurately describe otherwise unknown, hidden, forbidden, or difficult-to-access places or circumstances date to the earliest daguerreotype and calotype "surveys" of the ruins of the Near East, Egypt ...
Social documentary photography or concerned photography is the recording of what the world looks like, with a social and/or environmental focus. It is a form of documentary photography, with the aim to draw the public's attention to ongoing social issues. It may also refer to a socially critical genre of photography dedicated to showing the ...
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This 16 mm Bolex "H16" reflex camera uses spring-wound type technology and has been an entry-level camera used in multiple film schools.. A documentary film (often described simply as a documentary) is a non-fictional motion picture intended to "document reality, primarily for instruction, education or maintaining a historical record". [1]
This is an accepted version of this page This is the latest accepted revision, reviewed on 8 January 2025. Art and practice of creating images by recording light For other uses, see Photography (disambiguation). Photography of Sierra Nevada Photography is the art, application, and practice of creating images by recording light, either electronically by means of an image sensor, or chemically ...
Wayne Sides is an American photographer, artist and educator that is best known for his documentary and conceptual art categories of photography and mixed-media art. [ 1 ] [ 2 ] [ 3 ] Early life and education
Patricia Anne Murtha (14 March 1956 – 13 March 2013) was a British social documentary photographer best known for documenting marginalised communities, [1] social realism [2] and working class life [3] in Newcastle upon Tyne and the North East of England.
New Documents was an influential [1] documentary photography exhibition at Museum of Modern Art, New York, in 1967, curated by John Szarkowski. [2] It presented photographs by Diane Arbus, Lee Friedlander and Garry Winogrand and is said to have "represented a shift in emphasis" [3] and "identified a new direction in photography: pictures that seemed to have a casual, snapshot-like look and ...