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The Symphonic Repertoire, Volume II: The First Golden Age of the Viennese Symphony: Haydn, Mozart, Beethoven, and Schubert. Bloomington and London: Indiana University Press. ISBN 978-0-253-33487-9. Brown, A. Peter. 2007. The Symphonic Repertoire, Volume III, Part A: The European Symphony from ca. 1800 to ca. 1930: Germany and the Nordic ...
In Eastern Orthodox theology, God's grace and the human response work together in a "cooperation" or "synergy". [36] This perspective has historically presented less theological tension on this issue compared to the Christian West. [37] In the salvation process, divine grace always precedes any human action. [38]
Synergy is an interaction or cooperation giving rise to a whole that is greater than the simple sum of its parts (i.e., a non-linear addition of force, energy, or effect). [1] The term synergy comes from the Attic Greek word συνεργία synergia [2] from synergos, συνεργός, meaning "working together".
The following works are some of the most universally respected and established cornerstones of the band repertoire. All have "stood the test of time" through decades of regular performance, and many, either through an innovative use of the medium or by the fame of their composer, helped establish the wind band as a legitimate, serious performing ensemble.
The 1849 version following a conventional overture layout, divided into a slow section ("Lament") and a fast one ("Triumph"). Even with this division, the entire work was actually a set of variations on a single melody—a folk hymn sung to Liszt by a gondolier in Venice in the late 1830s.
The symphony is clearly indebted to Beethoven's predecessors, particularly his teacher Joseph Haydn as well as Wolfgang Amadeus Mozart, but nonetheless has characteristics that mark it uniquely as Beethoven's work, notably the frequent use of sforzandi, as well as sudden shifts in tonal centers that were uncommon for traditional symphonic form (particularly in the third movement), and the ...
A concert band, also called a wind band, wind ensemble, wind symphony, wind orchestra, symphonic band, the symphonic winds, or symphonic wind ensemble, [1] is a performing ensemble consisting of members of the woodwind, brass, and percussion families of instruments, [2] and occasionally including the harp, double bass, or bass guitar.
Thus, the first three movements can be viewed as symphonic-length "variations" on the Opus 35 theme, ultimately anticipating the theme's appearance in the fourth movement. Moreover, Beethoven's choice to begin the symphony with a theme adapted from the bass line is also paralleled in the fourth movement, in which the bass theme is heard as the ...