Search results
Results from the WOW.Com Content Network
The most common tuplet [9] is the triplet (German Triole, French triolet, Italian terzina or tripletta, Spanish tresillo).Whereas normally two quarter notes (crotchets) are the same duration as a half note (minim), three triplet quarter notes have that same duration, so the duration of a triplet quarter note is 2 ⁄ 3 the duration of a standard quarter note.
In music, a thirty-second note (American) or demisemiquaver (British) is a note played for 1 ⁄ 32 of the duration of a whole note (or semibreve).It lasts half as long as a sixteenth note (or semiquaver) and twice as long as a sixty-fourth (or hemidemisemiquaver).
A single eighth note, or any faster note, is always stemmed with flags, while two or more are usually beamed in groups. [16] When a stem is present, it can go either up (from the right side of the note head) or down (from the left side), except in the cases of the longa or maxima which are nearly always written with downward stems.
I just googled and found someone's blog defining "irrational rhythm" as a time signature with a non-power or two as the lower numeral, so if you wanted a measure of five eighth-note triplets, for example, you might use a time signature if 5/12, since an eighth-note triplet is one-twelfth as long as a whole note.
A triple-dotted note is a note with three dots written after it; its duration is 1 + 7 ⁄ 8 times its basic note value. Use of a triple-dotted note value is not common in the Baroque and Classical periods, but quite common in the music of Richard Wagner and Anton Bruckner, especially in their brass parts. [citation needed]
Tresillo is a Spanish word meaning "triplet"—three equal notes within the same time span normally occupied by two notes. In its formal usage, [further explanation needed] tresillo refers to a subdivision of the beat that does not normally occur within the given structure.
An eighth note or a quaver is a musical note played for one eighth the duration of a whole note (semibreve). Its length relative to other rhythmic values is as expected—e.g., half the duration of a quarter note (crotchet), one quarter the duration of a half note (minim), and twice the value of a sixteenth note.
An example is with a triplet, so that a triplet subdivision is often counted "tri-pl-et". [4] The Kodály Method uses "Ta" for quarter notes and "Ti-Ti" for eighth notes. For sextuplets simply say triplet twice (see Sextuplet rhythm.png ), while quintuplets may be articulated as "un-i-vers-i-ty", or other five-syllable words such as "hip-po-pot ...