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  2. Harry Potter and the Chamber of Secrets (soundtrack)

    en.wikipedia.org/wiki/Harry_Potter_and_the...

    Harry Potter and the Chamber of Secrets (Original Motion Picture Soundtrack) is the film score to the 2002 film of the same name, composed by John Williams and conducted by William Ross.

  3. Hedwig's Theme - Wikipedia

    en.wikipedia.org/wiki/Hedwig's_Theme

    "Hedwig's Theme" is an orchestral piece composed by John Williams. It serves as the main theme for the Harry Potter film series, based on the series of popular fantasy novels of the same name by author J. K. Rowling.

  4. Harry Potter and the Deathly Hallows – Part 1 (soundtrack)

    en.wikipedia.org/wiki/Harry_Potter_and_the...

    The reception for the soundtrack of Part 1 was overall positive. The first review of the soundtrack was released on 31 October 2010 by Jonathan Broxton, who rated the score 5/5, saying that "This score is one of Desplat’s greatest achievements and highlights everything I love about his work; the orchestral textures, the intricate use of unexpected instruments in unexpected settings, the ...

  5. Ron Weasley - Wikipedia

    en.wikipedia.org/wiki/Ron_Weasley

    Later in the novel, Ron and Harry use Polyjuice Potion to disguise themselves as they infiltrate the Slytherin dormitory and attempt to gather information about the Chamber of Secrets. During a journey into the Forbidden Forest , Ron is forced to encounter his worst nightmare: spiders.

  6. Harry and the Potters discography - Wikipedia

    en.wikipedia.org/wiki/Harry_and_the_Potters...

    The album is a collection of the band's previously unreleased songs, compilations appearances, songs from their out-of-print EPs, remixes and demos. [26] The first disc was released on the CD format and for digital download, whereas the second disc was released exclusively on the CD format.

  7. C'Mon (Kesha song) - Wikipedia

    en.wikipedia.org/wiki/C'Mon_(Kesha_song)

    Mark Hogan blogging for Spin wrote that although Kesha's hedonistic persona in "C'Mon" was marketable, it remained an ordinary electropop song better suited for label-mate Katy Perry, adding that Kesha's party-goer shtick present in previous hits "Tik Tok" and "Take It Off" was starting to become more of a caricature with the release of "C'Mon ...

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