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A tasuki (襷/たすき) is a fashion accessory used for holding up the long sleeves of the Japanese kimono. It is a sash made from either cloth or cord that loops over each shoulder and crosses over the wearer's back. The bottom of the kimono sleeves can then be tucked into the loop, holding them back for convenience and functionality.
The kimono (きもの/着物, lit. ' thing to wear ') [a] is a traditional Japanese garment and the national dress of Japan.The kimono is a wrapped-front garment with square sleeves and a rectangular body, and is worn left side wrapped over right, unless the wearer is deceased. [2]
An unmarried Japanese woman wearing a furisode A Japanese woman wearing a furisode at the Japanese garden. A furisode (振袖, lit. ' swinging sleeves ') is a style of kimono distinguishable by its long sleeves, which range in length from 85 cm (33 in) for a kofurisode (小振袖, lit.
A traditional Japanese oil-paper umbrella or parasol, these umbrellas as typically crafted from one length of bamboo split finely into spokes. See also Gifu umbrellas. Kimono Traditional square-cut wrap-around garment. Kimono slip (着物スリップ, kimono surippu) A one-piece undergarment combining the hadajuban and the susoyoke. [2]: 76 [4]
Ōshima-tsumugi kimono are hugely valued for their detailed kasuri patterns and deep black color. They are known as one of the most expensive silk fabrics in Japan. [ 6 ] The cheapest piece costs about 300,000 yen per bolt, or tanmono, and the highest quality costs several million yen.
After all, kimonos are traditional Japanese garments, most often worn by women, and "opening the kimono" suggests the shy timidity of a woman disrobing publicly. An Explanation from the Land of ...
The Khalili Collection of Kimono is a private collection of more than 450 Japanese kimono assembled by the British scholar, collector and philanthropist Nasser D. Khalili. [1] It is one of eight collections assembled, published and exhibited by Khalili, [ 2 ] each of which is considered to be among the most important collections within their ...
The mode of attaching the sleeve widely to the torso part of the garment would have prevented the use of wider obi. When the sleeves of the kosode began to grow in both horizontal width and vertical length at the beginning of the Edo period, the obi widened as well. There were two reasons for this: firstly, to maintain the aesthetic balance of ...
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