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Interior with an Easel, Bredgade 25 (Danish: Interiør med kunstnerens staffeli, Bredgade 25) is an oil-on-canvas painted by Danish artist Vilhelm Hammershøi in 1912. Acquired by the Getty Museum , in Los Angeles , in 2018, the painting depicts the artist's apartment at Bredgade 25 in Copenhagen , which was his address up to his death in 1916.
Easel painting is a term in art history for the type of midsize painting that would have been painted on an easel, as opposed to a fresco wall painting, a large altarpiece or other piece that would have been painted resting on a floor, a small cabinet painting, or a miniature created while sitting at a desk, though perhaps also on an angled ...
Self-Portrait at an Easel or Self-Portrait in the Studio is a 1790-1795 cabinet-format portrait by Francisco de Goya, now in the Real Academia de Bellas Artes de San Fernando. [ 1 ] Description
The work of art itself is in the public domain for the following reason: Public domain Public domain false false This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 70 years or fewer .
Self-portrait at an Easel is an oil-on-canvas painting created c. 1556–1565 by the Italian Renaissance painter Sofonisba Anguissola, now in Łańcut Castle. From the same era as Self-Portrait at a Spinet (Naples) it shows the artist painting a devotional canvas and is one of a group of self-portraits which also includes Self-Portrait (Vienna ...
LifeHunters, a viral video production team, planted a painting in a Netherlands museum and told Well, that might not always be the case. Museum patrons think Ikea print is worth thousands -- even ...
The Japanese designer, Noboru Nakamura , created the original "Poem" chair in 1975 in collaboration with product manager Lars Engman, who later headed up the IKEA design team. [ 3 ] [ 4 ] [ 5 ] The design of both the Poem and Poäng chairs resemble that of the " Armchair 406 ," created by the Finnish designer Alvar Aalto in 1939.
On the whole, Leyster's painting is similar to self-portraits by other women artists. In depicting herself at her easel with an unfinished painting, holding both a palette and a paintbrush, she creates a self-portrait that recalls Catharina van Hemessen's 1546 self-portrait, as well as a self-portrait by Sofonisba Anguissola that dates to c ...
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