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Melodies can be based on a diatonic scale and maintain its tonal characteristics but contain many accidentals, up to all twelve tones of the chromatic scale, such as the opening of Henry Purcell's "Thy Hand, Belinda" from Dido and Aeneas (1689) with figured bass), which features eleven of twelve pitches while chromatically descending by half steps, [1] the missing pitch being sung later.
The diatonic button accordion is bisonoric, meaning when a button is pressed, the note sounded changes depending on whether the bellows are being expanded or contracted. [2] This is similar to the harmonica, where the note changes depending on whether the player is breathing in or out. [ 2 ]
Most diatonic button accordions have a "single-action" (or bisonoric) keyboard, [citation needed] meaning that each button produces two notes: one when the bellows are pressed or pushed (closed) and another when the bellows are drawn or pulled (opened). In this respect, these instruments operate like a harmonica.
The British chromatic accordion, the favoured diatonic accordion in Scotland. While the right hand is bisonoric, the left hand follows the Stradella system. The elite form of this instrument is generally considered the German manufactured Shand Morino, produced by Hohner with the input of Sir Jimmy Shand [27]
Chromatic button accordion; Classification: Free-reed aerophone: Playing range; Right-hand manual: The Russian bayan and chromatic button accordions have a much greater right-hand range in scientific pitch notation than an accordion with a piano keyboard: five octaves plus a minor third (written range = E2-G7, actual range = E1-D9, some have a 32 ft Register on the Treble to go even lower down ...
In 1920s the special government commission took several researches and finally decided that all handicraftsmen had to unite into centralized cooperative factories (artels) and must produce only three types of button accordions: khromka, bayan (chromatic button accordion) and the Russian modification of a German bisonoric diatonic accordion ...
The concertina, diatonic and chromatic accordions and the melodica are all free-reed instruments that developed alongside the harmonica. Indeed, the similarities between harmonicas and so-called "diatonic" accordions or melodeons is such that in German the name for the former is "Mundharmonika" and the latter "Handharmonika," which translate as ...
The accordion is featured heavily in traditional Egyptian music, particularly baladi styles. Sometimes, certain traditional music styles may even be tied to a certain type of accordion, like the Schrammel accordion for Schrammelmusik, the Trikitixa for Basque music, or the diatonic button accordion in Mexican conjunto and norteño music. [4]
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