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The landscape varies, though scenes in the background of a Nativity very often show the shepherds on a steep hill, making visual sense of their placement above the main Nativity scene. The number of shepherds shown varies also, [18] though three is typical in the West; one or more dogs may be included, as in the Taddeo Gaddi (right, with red ...
The Annunciation to the Shepherds, which precedes the adoration, forms a distinct subject in Christian art and is sometimes included in a nativity scene as a peripheral feature (even though it occurs before the adoration itself), as in the 1485 scene by Domenico Ghirlandaio, where it can be seen in the upper left corner. Ghirlandaio also shows ...
To the usual cast of the Nativity of Jesus in art are added the earlier scene of the Annunciation to the Shepherds in the distance at the centre, five putti above, about to shower the scene with flowers, and a woman at left holding a large wicker tray with fruit. The scene takes place in a large but derelict classical building, to which a crude ...
The scenes of the Nativity and the Adoration of the Shepherds are seen in the central panels of the triptych, whereas in the background to the right side, is the scene of the Annunciation of the Shepherds. There are certain symbols in the painting that represent the devotion of the Eucharist. [5]
The inclusion of the shepherd's dog, especially right by the crib, is unusual, [5] though the shepherds very often have one in scenes of their annunciation, and sometimes bring a lamb to the crib as a gift; here the dove held by the boy in the foreground is intended to represent a gift. [6]
The Adoration of the Shepherds, sometimes still known as the Allendale Nativity, after a former owner, is a painting by the Italian Renaissance painter Giorgione, completed in about 1505 to 1510. The attribution is now usual, although not universal; the usual other view is that it is an early Titian .
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