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Max pretends to "direct" her, and the police play along. As the cameras roll, Norma descends the grand staircase for what she thinks is a close-up for DeMille. She stops and makes an impromptu speech about how happy she is to be making a film again, then walks towards the camera, before she gets arrested by the authorities.
DeMille was born in Ashfield, Massachusetts, and grew up in New York City. He began his career as a stage actor in 1900. He later moved to writing and directing stage productions, some with Jesse L. Lasky, who was then a vaudeville producer. DeMille's first film, The Squaw Man (1914), was also the first full-length feature film shot in ...
I'm ready for my close-up, Mr. DeMille. [4] All right, Mr. DeMille. I'm ready for my close-up. Norma Desmond Gloria Swanson: Sunset Boulevard: 1950 Fasten your seat belts, it's going to be a bumpy ride. [3] Fasten your seat belts, it's going to be a bumpy night. Margo Channing Bette Davis: All About Eve: 1950 Mrs. Robinson, are you trying to ...
"Presenting her with the 2025 Cecil B. DeMille Award is not only an honor but a reflection of our admiration for her relentless dedication to her craft and her monumental impact on the industry.
"All right, Mr. DeMille, I'm ready for my close-up." Norma Desmond Gloria Swanson: Sunset Boulevard: 1950 14 "The stuff that dreams are made of." [f] Sam Spade: Humphrey Bogart: The Maltese Falcon: 1941 20 "Louis, I think this is the beginning of a beautiful friendship." Rick Blaine Humphrey Bogart Casablanca: 1942 23 "There's no place like home."
Bestselling author Nelson DeMille has died. The writer died on Sept. 17 from esophageal cancer, his family confirmed to CBS News and theNew York Post. "Nelson fought a valiant nine-month battle ...
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Leading characters will have multiple close-ups. At the close of Sunset Boulevard (1950), the main character, a faded star under the delusion that she is making a triumphant return to acting, declaims melodramatically, "All right, Mr. DeMille, I'm ready for my close-up." Close-up shots do not show the subject in the broad context of its ...