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Plato's most self-critical dialogue is the Parmenides, which features Parmenides and his student Zeno, which criticizes Plato's own metaphysical theories. Plato's Sophist dialogue includes an Eleatic stranger. These ideas about change and permanence, or becoming and Being, influenced Plato in formulating his theory of Forms. [54]
In September 2001, shortly after the World Trade Center Attack, the German composer Karlheinz Stockhausen said of the atrocity that it was "Lucifer's greatest work of art." [6] [7] (However, Stockhausen's comments were taken out of context and misunderstood.) The responses were immediate and extreme, fuelled once again by the tabloid press.
Plato has regarded imitation as a general principle of art, as he viewed art itself as an imitation of life. This theory was popular and well accepted during the classical period. [ 2 ] During the Renaissance period, imitation was seen as a means of obtaining one's personal style; this was alluded to by the artists of that era like Cennino ...
Pearl is one of the greatest allegories from the High Middle Ages. [1] As a literary device or artistic form, an allegory is a narrative or visual representation in which a character, place, or event can be interpreted to represent a meaning with moral or political significance. Authors have used allegory throughout history in all forms of art ...
In Plato's dialogues, the soul plays many disparate roles. Among other things, Plato believes that the soul is what gives life to the body (which was articulated most of all in the Laws and Phaedrus ) in terms of self-motion: to be alive is to be capable of moving oneself; the soul is a self-mover.
In his work, The Ideal in Art (trans. by I. Durand), he proceeds in the manner of a botanist to determine a scale of characters in the physical and moral man. The degree of the universality or importance of a character, and of its beneficence or adaptation to the ends of life, determine the measure of its aesthetic value, and render the work of ...
The word ekphrasis, or ecphrasis, comes from the Greek for the written description of a work of art produced as a rhetorical or literary exercise, [1] often used in the adjectival form ekphrastic. It is a vivid, often dramatic, verbal description of a visual work of art, either real or imagined. Thus, "an ekphrastic poem is a vivid description ...
[1] [clarification needed] Magnificence (μεγαλοπρεπεια) is one of the virtues listed by Meno in Plato's dialogue of that name. [2] Magnificence is the special quality in Plato's conception of the philosopher-king, as presented in the fifth and sixth books of The Republic. Only those with a philosophical and educational temperament ...