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Punchcutting is a craft used in traditional typography to cut letter punches in steel as the first stage of making metal type. [1] Steel punches in the shape of the letter would be used to stamp matrices into copper, which were locked into a mould shape to cast type. Cutting punches and casting type was the first step of traditional typesetting ...
The technique of imprinting multiple copies of symbols or glyphs with a master type punch made of hard metal first developed around 3000 BC in ancient Sumer.These metal punch types can be seen as precursors of the letter punches adapted in later millennia to printing with movable metal type.
Walbaum was a punchcutter, who carved steel punches used as a master to stamp matrices, the moulds used to cast metal type. [8] Walbaum was born in Steinlah, a district of the town of Haverlah in modern Lower Saxony. Based first in Goslar and later in Weimar, he created type in the Didone style, also known as the 'rational' or 'modern' style.
A piece of cast metal type, Garamond style long s / i ligature. See also: movable type . Modern typographers view typography as a craft with a very long history tracing its origins back to the first punches and dies used to make seals and coinage currency in ancient times .
Caslon worked as an engraver of punches, the masters used to stamp the moulds or matrices used to cast metal type. [1] [2] [3] He worked in the tradition of what is now called old-style serif letter design, that produced letters with a relatively organic structure resembling handwriting with a pen.
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Claude Garamond. Claude Garamont (c. 1510 –1561), [1] known commonly as Claude Garamond, was a French type designer, publisher and punch-cutter based in Paris. [2] [3] Garamond worked as an engraver of punches, the masters used to stamp matrices, the moulds used to cast metal type.
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