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A kaftan or caftan (/ ˈ k æ f t æ n /; Arabic: قفطان, qafṭān; Persian: خفتان, khaftān; Turkish: kaftan) is a variant of the robe or tunic. Originating in Asia, it has been worn by a number of cultures around the world for thousands of years. In Russian usage, kaftan instead refers to a style of men's long suit with tight sleeves.
The kaftan is worn by Christians, African Jews, Muslims, and followers of African traditional religion. Furthermore, Senegalese kaftans are common among men of African descent in the African diaspora. The Senegalese kaftan is men's attire. In West Africa, and the United States, this robe is not worn by women. The women's robe is called a kaftan.
Ottoman Sultan Suleiman the Magnificent adorned in a richly embroidered kaftan A stylish young woman of the mid-17th century. She wears şalvar (trousers), a long, sheer gömlek (chemise), and an ankle-length purple entari (outer robe) with the ends tucked up.
The gold kaftan [3] [5] is generally worn after marriage; before marriage, either a black bekishe or weekday-style clothing is worn on days when a bekishe is usually worn. Some of those who wear the gold bekishe switch to black on Shabbos afternoon before Mincha ; this is seen in, for example, Dushinsky and with many of the Prushim.
In West Africa, a kaftan or caftan is a pull-over woman's robe. [1] In French, this robe is called a boubou [citation needed], pronounced boo-boo. The boubou is the traditional female attire in many West African countries including Senegal, Mali and other African countries. The boubou can be formal or informal attire.
The robe is also worn in some coastal Muslim regions of Tanzania and Kenya. The men of Uganda consider it their most important dress. Kanzu is a Ganda word of Swahili origin, which means "robe" or "tunic". In Tanzania, the term is used interchangeably with kaftan. [2]
A full male dress in Sudan usually consists of three pieces, the jibba, the kaftan, and the sederi. The gebba/jibba, is the outermost garment characterized by a long opening over the chest. The urban version used to have this opening continue to the end, which made the jibba effectively a long coat. It has one pocket on one side and on the ...
Deel design varies to a certain degree among cultures and ethnic groups, and has varied across time periods. There are even distinct variations among different Mongol tribes, [2] mostly on the design of the upper chest opening edges.
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