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"Why Me" was Kristofferson's lone major country hit as a solo recording artist, reaching No. 1 on the Billboard Hot Country Singles chart in July 1973. [4] The song peaked only at No. 16 on the Billboard Hot 100, but had at that time one of the longer runs (19 weeks) in the top 40 [1] and the most chart reversals (6) in one run on the Hot 100.
"My Sweet Lord" attracted many cover versions in the early 1970s and was the most performed song of 1971. Its coinciding with a trend for spirituality in rock music ensured it was frequently performed on religious-themed television shows. The song was also popular among supper club performers following recordings by artists such as Johnny ...
"Cover Me" is a song written and performed by American rock singer Bruce Springsteen. It was the second single released from his 1984 album Born in the U.S.A.. Springsteen wrote the song for Donna Summer. However, his manager, Jon Landau, decided the song had hit potential, and so he kept it for the upcoming Springsteen album.
"Cover Me" (Bruce Springsteen song), by Bruce Springsteen from his 1984 album Born in the U.S.A. "Cover Me" (Depeche Mode song), 2017 song from Spirit "Cover Me", by Björk from her 1995 album Post
Jesus Was a Capricorn was produced by Fred Foster and, like his previous album Border Lord, features more elaborate instrumentation than his first two LPs.Biographer Stephen Miller notes in his book Kristofferson: The Wild American, “A common criticism directed at Jesus Was a Capricorn was that it was overproduced and moved Kristofferson's songs too far away from the rough-hewn charm of his ...
The cover was a photo by Bob Seidemann of a topless 11-year-old girl, Mariora Goschen, [7] holding a silver-painted model of an aircraft, sculpted for the album shoot by Mick Milligan. [8] The cover was mildly controversial in the British press, with some seeing the model airplane as phallic .
Petra Praise: The Rock Cries Out is the eleventh studio album of the Christian rock band, Petra and their first praise album. It was released on October 3, 1989 by DaySpring Records, marking the band's return to the Word family as the early version of Petra was signed to sister label Myrrh.
Leng recognises the arrangements on "pivotal" songs such as "Isn't It a Pity", "My Sweet Lord", "Beware of Darkness" and "All Things Must Pass" as important elements of the album's sound. [119] According to Scott, he and Harrison worked alone for "weeks and months" on the overdubs, as Harrison recorded the backing vocals and lead guitar parts.