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A View to a Kill is a 1985 spy film, the fourteenth in the James Bond series produced by Eon Productions, and the seventh and final appearance of Roger Moore as the fictional MI6 agent James Bond. Although the title is adapted from Ian Fleming 's 1960 short story " From a View to a Kill ", the film has an entirely original screenplay.
"From a View to a Kill" also gave part of its title (but no characters or plot elements) to the fourteenth Bond film, A View to a Kill (1985). Plot elements from "The Hildebrand Rarity" were used in the sixteenth Bond film, Licence to Kill (1989), and the title is referenced in the twenty-fourth Bond film, Spectre (2015).
A View to a Kill (song) A View to a Kill (soundtrack) Stacey Sutton; V. A View to a Kill; Z. Max Zorin
A View to a Kill is a 1985 James Bond film. A View to a Kill may also refer to: "A View to a Kill" (song), the film's theme song by Duran Duran; A View to a Kill, a soundtrack album from the film; A View to a Kill, two 1985 computer games based on the film "From a View to a Kill", a James Bond short story by Ian Fleming, from the 1960 ...
A View to a Kill: Created by: ... Portrayed by: Christopher Walken: In-universe information; Full name: ... A View to a Kill is the first 007 film with a legal ...
Tanya Roberts (born Victoria Leigh Blum; October 15, 1949 – January 4, 2021) was an American actress.Some of her credits include playing Julie Rogers in the final season of the television series Charlie's Angels (1980–1981), Stacey Sutton in the James Bond film A View to a Kill (1985), Kiri in The Beastmaster (1982), Sheena in Sheena: Queen of the Jungle (1984), and Midge Pinciotti on That ...
“Surrender Benson” - Season 15, Episode 1. The season 15 premiere picks up where the season 14 finale left off, with Benson held hostage by a serial rapist and killer. At the top of the ...
They note, however, that after her heroic stand against Zorin, she seems to spend the remainder of the film wailing, "Help me, James." [ 5 ] Similarly, Mark O'Connell describes Sutton as "very much in the Mary Goodnight camp of the simpering, shrieking and not very resourceful Bond girl as set out in The Man with the Golden Gun ."
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