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For bonsai professionals, the top competition in Japan is the Nippon Bonsai Sakufu-ten organized by the Japan Bonsai Cooperative Association. The competition is held in December of each year and the top prize is the Prime Minister Award, which went to Hiroaki Suzuki in 2022 for a Shimpaku Juniper tree.
Valavanis was born in Waukegan, Illinois.At age 11, he began to pot tree seedlings and bend them into bonsai shapes. Four years later in the family's new home in Charleston, West Virginia, he began to exhibit and lecture on bonsai at local garden clubs, and the following year started the "House of Bonsai" business.
Bjorn Bjorholm (/ ˈ b j ɔːr n ˈ b j ɔːr h oʊ m /; born 1986) is an American professional bonsai artist and educator. He is the founder and owner of Eisei-en Bonsai Garden, which as of early 2024, is in the process of relocating from Mount Juliet, Tennessee, to Kyoto, Japan.
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The Japanese art of bonsai dates back over a thousand years, and has evolved its own unique aesthetics and terminology. A key design practice in bonsai is a set of commonly understood, named styles that describe canonical tree and setting designs. These well-known styles provide a convenient shorthand means for communicating about existing ...
Prints out of the Fifty-three Stations of the Tōkaidō as Potted Landscapes depicting Bonkei, by Utagawa Yoshishige (1848). A bonkei (盆景, Japanese for "tray landscape") [1]: 15–19 is a temporary or permanent three-dimensional depiction of a landscape in miniature, portrayed using mainly dry materials like rock, papier-mâché or cement mixtures, and sand in a shallow tray.
Deadwood bonsai techniques are methods in the Japanese art of bonsai (cultivation of miniature trees in containers) that create, shape, and preserve dead wood on a living bonsai tree. They enhance the illusion of age and the portrayal of austerity that mark a successful bonsai.
In Orange County, Naka and four friends founded a bonsai club in November 1950, which is known today as the California Bonsai Society. He became a very important force in American bonsai art in the 1950s–60s. He was a driving force in the spread of bonsai appreciation and the practice of bonsai art in the West and elsewhere.
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