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"The Man with the Hoe" is an 1898 poem by the American poet Edwin Markham, inspired by Jean-François Millet's 1860-1862 painting L'homme à la houe, a painting interpreted as a socialist protest about the peasant's plight.
"Jean-François Millet", poem by Florence Earle Coates; Cartwright, Julia, (1902) Jean François Millet: his life and letters London: Swan Sonnenschein and Co. Sensier, Alfred, (1881) Jean-Francois Millet – Peasant and Painter (transl. Helena de Kay) London: Macmillan and Co. Exhibition catalogue, The Drawings of Jean-François Millet, Jill ...
[3] The Man with a Hoe was the last painting of Millet's so-called "radical" era, which began with The Sower (1850). [ 3 ] After the initial shock of the new, Man with a Hoe lived a quiet life until the 1880s when it re-emerged as a star of three major French exhibitions including the art show at the 1889 World's Fair in Paris.
Markham's most famous poem, "The Man with the Hoe," which accented laborers' hardships, was first presented at a public poetry reading in 1898. His main inspiration was a French painting of the same name (in French, L'homme à la houe) by Jean-François Millet. Markham's poem was published, and it became quite popular very soon.
Jean-François Millet was raised in the area of France known as the old province of Normandy. He was brought up with hard out-of-door labor. After studying to become a painter, he devoted his art to illustrating peasants farming the land. His subjects were often taken from his surroundings or from memories from his youth. [2]
Millet's The Gleaners was preceded by a vertical painting of the image in 1854 and an etching in 1855. Millet unveiled The Gleaners at the Salon in 1857. It immediately drew negative criticism from the middle and upper classes, who viewed the topic with suspicion: one art critic, speaking for other Parisians, perceived in it an alarming intimation of "the scaffolds of 1793."
Social realism traces back to 19th-century European Realism, including the art of Honoré Daumier, Gustave Courbet and Jean-François Millet. Britain's Industrial Revolution aroused concern for the poor, and in the 1870s the work of artists such as Luke Fildes, Hubert von Herkomer, Frank Holl, and William Small were widely reproduced in The ...
Jean-François Millet: Man with a Hoe ; Artist: Jean-François Millet (1814–1875) ... and Other Poems (1899)/The Man with the Hoe; Usage on es.wikipedia.org