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This page lists classical pieces in the trombone repertoire, including solo works, concertenti and chamber music of which trombone plays a significant part. Solo trombone [ edit ]
Title page of Beethoven's symphonies from the Gesamtausgabe. The list of compositions of Ludwig van Beethoven consists of 722 works [1] written over forty-five years, from his earliest work in 1782 (variations for piano on a march by Ernst Christoph Dressler) when he was only eleven years old and still in Bonn, until his last work just before his death in Vienna in 1827.
This is a list of musical compositions or pieces of music that have unusual time signatures. "Unusual" is here defined to be any time signature other than simple time signatures with top numerals of 2, 3, or 4 and bottom numerals of 2, 4, or 8, and compound time signatures with top numerals of 6, 9, or 12 and bottom numerals 4, 8, or 16.
Piano trio in D Major, op. 70, no. 1, musical autograph. Op. 70 is a set of two Piano Trios by Ludwig van Beethoven, written for piano, violin, and cello.Both trios were composed during Beethoven's stay at Countess Marie von Erdödy's estate, and both are dedicated to her for her hospitality.
The title of Beethoven's work, 'Drei Equale für vier Posaunen' is derived from the mediaeval Latin musical term ad equales or a voce (or a parte) equali.It designates two or more performers who sustain an equally difficult and important part ('equal voices') in either vocal or instrumental music, written for a particular restricted range of voice parts.
The last movement is in sonata form. According to music historian Glenn Stanley, Beethoven "exploited the possibility that a string section can realize both angularity and rhythmic contrast if used as an obbligato-like background", [12] particularly in the coda, which contains an example, rare in Beethoven's music, of the dynamic marking fff.
The Allegretto for Piano Trio, WoO 39, in B-flat major is a composition for piano trio by Ludwig van Beethoven that was composed in 1812 as a gift for Maximiliane Brentano, the then ten-year-old daughter of his friend Antonie Brentano. Eight years later he also dedicated the Piano Sonata Op. 109 to Maximiliane.
A similar procedure can be found in Beethoven's piano concerto Op. 19 in the same key. In the last movement, the A section returns in G major rather than B ♭ and modulates back to B ♭ via the same chord progression as in this quartet. Also, the main themes of the movements share the same initial pulse (short note on the first beat followed ...
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