Search results
Results from the WOW.Com Content Network
Protestant religious art both embraced Protestant values and assisted in the proliferation of Protestantism, but the amount of religious art produced in Protestant countries was hugely reduced. Artists in Protestant countries diversified into secular forms of art like history painting, landscape painting, portrait painting and still life.
Lutheran art consists of all religious art produced for Lutherans and the Lutheran churches.This includes sculpture, painting, and architecture. Artwork in the Lutheran churches arose as a distinct marker of the faith during the Reformation era and attempted to illustrate, supplement and portray in tangible form the teachings of Lutheran theology.
In Catholic countries, production of religious art continued, and increased during the Counter-Reformation, but Catholic art was brought under much tighter control by the church hierarchy than had been the case before. From the 18th century the number of religious works produced by leading artists declined sharply, though important commissions ...
During the period of iconoclasm, Catholic art and many forms of church fittings and decoration were destroyed by nominally Calvinist Protestant crowds in the name of the Protestant Reformation. Frans Floris, who was at the time the leading Flemish history painter, never recovered from the shock of seeing his artworks destroyed.
In 1566 the Low Countries were the victim of the iconoclasic fury, referred to in Dutch as the Beeldenstorm (pronounced [ˈbeːldə(n)ˌstɔr(ə)m]) during which Catholic art and many forms of church fittings and decoration were destroyed in unofficial or mob actions by Calvinist Protestant crowds as part of the Protestant Reformation. [7]
The Reformation, also known as the Protestant Reformation and the European Reformation, [1] was a major theological movement or period or series of events in Western Christianity in 16th-century Northwestern Europe that posed a religious and political challenge to the papacy and the authority of the Catholic Church.
Protestant art continued the now-standard depiction of the physical appearance of Jesus. Meanwhile, the Catholic Counter-Reformation re-affirmed the importance of art in assisting the devotions of the faithful, and encouraged the production of new images of or including Jesus in enormous numbers, also continuing to use the standard depiction.
The Last Supper was also one of the few subjects to be continued in Lutheran altarpieces for a few decades after the Protestant Reformation, sometimes showing portraits of leading Protestant theologians as the apostles. [4] By the Renaissance, the Last Supper was a popular subject in Italian art, especially in the refectories of